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Metal Print : "Yokkaichi: Junction with the Road to the Shrine (Yokkkaichi, Sangûdô... between c1841 and c1842. Creator: Ando Hiroshige. "Yokkaichi: Junction with the Road to the Shrine (Yokkkaichi, Sangûdô... between c1841 and c1842)
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"Yokkaichi: Junction with the Road to the Shrine (Yokkkaichi, Sangûdô... between c1841 and c1842. Creator: Ando Hiroshige. "Yokkaichi: Junction with the Road to the Shrine (Yokkkaichi, Sangûdô... between c1841 and c1842)
"Yokkaichi: Junction with the Road to the Shrine (Yokkkaichi, Sangudo oiwake no zu)", from the series The Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi), also known as the Gyosho Tokaido, between circa 1841 and circa 1842. From number 44
Heritage Images features heritage image collections
Media ID 36361383
© Heritage Art/Heritage Images
1840s Dusk Evening Fifty Three Stations Of The Tokaido Gate Ichiryusai Hiroshige La Soiree Pavilion Reisho Tokaido Road Junction Shrine Thoroughfare Tokaido Torii Torii Gate Trade Route Twilight Way In Yokkaichi Mie Prefecture Japan Ando Hiroshige Ando Utagawa Hiroshige Colour Woodblock Print Hiroshige Ando Hiroshige I Hiroshige Ichiyusai Hiroshige Utagawa Ichiryusai Ichiyusai Hiroshige Utagawa Hiroshige
16"x24" (61x41cm) Metal Print
Step into the past with our exquisite Metal Print of Yokkaichi: Junction with the Road to the Shrine by renowned Japanese artist Ando Hiroshige. This captivating piece, originally created between 1841 and 1842, is part of the iconic series The Fifty-three Stations of the Tokaido Road. Witness the bustling activity at the junction, where travelers and merchants gather before continuing their journey. Our high-quality Metal Prints bring the rich colors and intricate details of this heritage image to life, making it a stunning addition to any home or office decor.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
Yokkaichi: Junction with the Road to the Shrine" is a captivating woodblock print from the renowned series "The Fifty-three Stations of the Tokaido Road" by Ando Hiroshige. Created between 1841 and 1842, this masterpiece showcases the bustling activity at a road junction in Yokkaichi, a town located in Mie Prefecture, Japan. The scene is set during the dusk of an evening, with the sun setting behind the distant mountains, casting a warm, golden glow over the landscape. The main focus of the print is the junction, where travelers and merchants gather, their horses and carts filling the thoroughfare. A man, possibly a guide or innkeeper, stands at the entrance of a pavilion, gesturing towards the road leading to the shrine. The print features intricate details, from the thatched roofs of the buildings to the individual hairs on the horses' manes. The torii gate, a symbol of Shinto religion, stands proudly at the entrance to the shrine, beckoning travelers to pay their respects. The print also showcases the importance of trade and road transport during this time, with various animals and merchandise depicted in the scene. This woodblock print is a testament to the rich cultural heritage of Japan during the 19th century and is a must-see for anyone interested in Asian art, particularly in the works of Ando Hiroshige. The Los Angeles County Museum of Art (LACMA) is fortunate to have this piece in its collection, allowing us to appreciate the beauty and intricacy of Hiroshige's work and the history it represents.
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