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Metal Print : White satin wedding gown worn by Mrs. St. Clair in Philadelphia, 1760, (1937). Creator: Unknown
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White satin wedding gown worn by Mrs. St. Clair in Philadelphia, 1760, (1937). Creator: Unknown
Shows a white satin wedding gown worn by Mrs. St. Clair in Philadelphia, 1760, (1937). Phoebe Bayard St Clair (1743 - 1818), born in the Massachusetts colony was married to Arthur St. Clair in May, 1760. From " History of American Costume - Book One 1607-1800", by Elisabeth McClellan. [Tudor Publishing Company, New York, 1937]
Heritage Images features heritage image collections
Media ID 19173850
© The Print Collector/Heritage Images
Back Bustle Colony Company Tudor Publishing Elisabeth Elisabeth Mcclellan Georgian History Of American Costume Massachusetts Bay Colony Mcclellan Mcclellan Elisabeth North America North American Pennsylvania Philadelphia Satin Tudor Publishing Tudor Publishing Company Wedding Dress White Background Clair Ladieswear
16"x24" (61x41cm) Metal Print
Step back in time with our exquisite Metal Prints featuring an elegant 18th-century wedding gown. This beautiful white satin gown, worn by Phoebe Bayard St. Clair in Philadelphia, 1760, (1937), is a true masterpiece of colonial bridal fashion. With intricate detailing and a timeless, classic design, this historic image makes a stunning addition to any home or office decor. Printed on high-quality metal for vibrant colors and long-lasting durability, this unique piece of art is sure to impress and inspire. Bring a touch of history into your space with our Museum-quality Metal Print of the unknown creator's captivating image.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a stunning white satin wedding gown worn by Mrs. St. Clair in Philadelphia, 1760. The photograph, taken in 1937, captures the timeless elegance of this exquisite garment that has stood the test of time. Mrs. Phoebe Bayard St. Clair, born in the Massachusetts colony and married to Arthur St. Clair in May 1760, epitomizes grace and sophistication as she dons this Georgian-era masterpiece. The full-length dress features intricate detailing and a bustle at the back, reflecting the fashion trends of the eighteenth century. The image is sourced from "History of American Costume - Book One 1607-1800" by Elisabeth McClellan, published by Tudor Publishing Company in New York during 1937. This historical documentation offers us a glimpse into colonial America's rich sartorial heritage. The photograph transports us back to a time when marriage was celebrated with grandeur and style. It symbolizes not only an individual's union but also represents an important chapter in American history. With its impeccable craftsmanship and luxurious fabric choice, this wedding gown serves as a testament to both artistry and tradition within North America's cultural landscape. As we admire this remarkable piece through the lens of history, we are reminded of how clothing can transcend mere utility to become an expression of identity and social status throughout different eras.
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