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Metal Print : Virgin and Child Enthroned, 1419. Creator: Battista di Biagio Sanguigni (Italian

Virgin and Child Enthroned, 1419. Creator: Battista di Biagio Sanguigni (Italian



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Virgin and Child Enthroned, 1419. Creator: Battista di Biagio Sanguigni (Italian

Virgin and Child Enthroned, 1419. Rather than depicting a single moment in time, this gold-ground painting symbolically encapsulates Christ. Seated on a rich throne, the monumental Virgin holds the Christ child. Above, the risen Christ is seen in heaven holding a book, inscribed with the alpha and omega, the first and last letters of the Greek alphabet, signifying Christs role as the beginning and end of all things. The Latin inscription states: " This painting was made for Antonio di Domenicho Giugni for the repose of his soul, the year of our Lord 1419." In the 1300s, Italian painting focused on the heavenly aspects of Christian faith in order to convey abstract religious concepts. Depicted as specimens of formal beauty, sacred figures were placed against an ethereal gold background. Within a hundred years, artists began to highlight the earthly aspects of sacred figures, placing them within naturalistic landscapes. In this newer style of painting, the approachability of sacred figures fostered devotion among the faithful

Heritage Images features heritage image collections

Media ID 19647073

© Heritage Art/Heritage Images

Tempera And Gold On Wood Tuscany


16"x24" (61x41cm) Metal Print

Experience the timeless beauty of Italian art with our Media Storehouse Metal Print of Battista di Biagio Sanguigni's Virgin and Child Enthroned, created in 1419. This exquisite gold-ground painting goes beyond a simple representation of a moment in time, instead symbolically encapsulating the essence of Christ and the Virgin Mary's divine connection. Bring this stunning masterpiece into your home or office as a reminder of the enduring power of faith and the rich heritage of art history. Order now and transform your space with this captivating work of art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Abstract Art > Landscape

> Abstract Art > Painting > Related Images

> Abstract Art > Related Images

> Arts > Abstract art > Abstract landscape paintings

> Arts > Abstract art > Abstract paintings

> Arts > Abstract art

> Arts > Art Movements > Landscapes

> Arts > Contemporary art > Landscapes > Abstract art

> Arts > Landscape paintings > Abstract landscape art > Landscape paintings

> Arts > Landscape paintings > Abstract landscape art


EDITORS COMMENTS
This print showcases the exquisite artwork of Battista di Biagio Sanguigni's "Virgin and Child Enthroned" from 1419. Rather than capturing a single moment, this gold-ground painting symbolically represents Christ in all his glory. The monumental Virgin Mary sits on a lavish throne, cradling the infant Jesus in her arms. Above them, the risen Christ is depicted in heaven, holding a book inscribed with the alpha and omega - the first and last letters of the Greek alphabet that signify Christ's role as both the beginning and end of all things. The Latin inscription on this masterpiece reveals its purpose: it was created for Antonio di Domenicho Giugni to honor his soul's repose in 1419. During the 1300s, Italian painters focused on portraying heavenly aspects of Christian faith to convey abstract religious concepts. Sacred figures were often placed against ethereal gold backgrounds to emphasize their divine nature. However, within a century, artists like Sanguigni began incorporating earthly elements into their paintings by placing sacred figures within naturalistic landscapes. This newer style aimed to make these revered figures more relatable and approachable for devout viewers. Through this stunning print by Heritage Art/Heritage Images, we can appreciate not only Sanguigni's artistic mastery but also how art evolved over time to foster devotion among believers through its beauty and accessibility.

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