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Metal Print : Shah Shoja, puppet of the British, holding a durbar at Kabul, First Anglo-Afghan War, 1838-1842. Artist: James Atkinson
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Shah Shoja, puppet of the British, holding a durbar at Kabul, First Anglo-Afghan War, 1838-1842. Artist: James Atkinson
Shah Shoja, puppet of the British, holding a durbar at Kabul, First Anglo-Afghan War, 1838-1842. A former ally of the British from the Napoleonic Wars, Shah Shoja was restored as ruler of Afghanistan by the British in 1839 as they sought to block Russian influence in the country. He was assassinated in 1842. From Sketches in Afghanistan by James Atkinson. (London, 1842)
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Media ID 14845966
© Ann Ronan Picture Library / Heritage-Images
Afghan Afghani Afghanistan Anglo Afghan War Atkinson Durbar Government Imperialism James Atkinson Kabul Meeting Mountainous Puppet Puppets Shah Tent Tents Ann Ronan Pictures
16"x24" (61x41cm) Metal Print
Step back in time with our captivating Metal Print of Shah Shoja, the puppet ruler of Kabul during the First Anglo-Afghan War (1838-1842). Depicted here in this historic artwork by James Atkinson, Shah Shoja is seen holding a grand durbar, or court session, surrounded by his followers. This intriguing piece showcases a pivotal moment in history when the British sought to expand their influence in Afghanistan. Add an air of sophistication and intrigue to your space with this beautifully preserved, museum-quality Metal Print. Each print is meticulously crafted to bring out the rich details and vibrant colors of the original artwork, ensuring a stunning addition to your collection.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures a significant moment in history during the First Anglo-Afghan War, showcasing Shah Shoja, a puppet ruler of Afghanistan under British influence. Painted by James Atkinson and featured in his book "Sketches in Afghanistan" this lithograph provides a glimpse into the political landscape of the 19th century. Shah Shoja's association with Britain dates back to the Napoleonic Wars when he allied himself with them against their common enemy. In an attempt to counter Russian expansionism, the British restored him as the ruler of Afghanistan in 1839. The image portrays Shah Shoja holding a durbar, symbolizing his authority and power over his people. The setting is Kabul, surrounded by majestic mountains that emphasize both its geographical features and strategic importance. The vibrant colors used by Atkinson bring life to this historical scene, highlighting not only the grandeur of the buildings but also capturing every intricate detail of soldiers' attire and traditional Afghan dress. However, despite being seen as a government figurehead for British interests, Shah Shoja's reign was short-lived. Tragically, he was assassinated in 1842 amidst growing discontent among Afghans towards foreign interference. This print serves as a visual testament to colonialism and imperialism during this era while shedding light on complex geopolitical dynamics between Britain and Afghanistan at that time. It stands as an important historical artifact reminding us of past struggles for power and control within nations.
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