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Metal Print : The Ruination of church bells, 1924. Artist: Stolitsa, Evgeni Ivanovich (1870-1929)

The Ruination of church bells, 1924. Artist: Stolitsa, Evgeni Ivanovich (1870-1929)



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The Ruination of church bells, 1924. Artist: Stolitsa, Evgeni Ivanovich (1870-1929)

The Ruination of church bells, 1924. Found in the collection of the Museum of History and Art, Cherepovets

Heritage Images features heritage image collections

Media ID 15003836

© Fine Art Images

Anti Religious Propaganda Bell Bells End Of 19th Early 20th Cen National Uprising October Revolution Power Russian Painting Russian Revolution Church Bells


16"x20" (51x41cm) Metal Print

Experience the haunting beauty of Evgeni Ivanovich Stolitsa's "The Ruination of Church Bells, 1924," now available as a stunning Metal Print from Media Storehouse. This iconic image, sourced from Heritage Images and found in the Museum of History and Art in Cherepovets, captures the poignant moment of shattered faith and the passage of time. The Metal Print process enhances the artwork's depth and texture, bringing out the intricate details of Stolitsa's masterpiece. Preserve this powerful piece of history in your home or office and let it inspire reflection and conversation. Order your Metal Print of "The Ruination of Church Bells" today.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Europe > Russia > Paintings

> Europe > Russia > Posters


The Ruination of Church Bells, 1924

EDITORS COMMENTS
by Evgeni Ivanovich Stolitsa captures a pivotal moment in Russian history. This powerful painting, housed in the Museum of History and Art in Cherepovets, depicts the destruction of church bells during the turbulent times of the Russian Revolution. Stolitsa's brushstrokes convey both the physical and symbolic impact of this event. The towering church bell towers are depicted crumbling under an ominous sky, symbolizing not only their physical destruction but also the dismantling of religious power and influence during this time. This artwork serves as a poignant commentary on the intersection between religion and politics. It reflects how anti-religious sentiment was used as propaganda to fuel revolutionary fervor. By targeting these symbols of faith, revolutionaries aimed to undermine traditional institutions and establish new ideologies. Stolitsa's mastery lies in his ability to evoke emotion through his use of color and composition. The somber tones reflect a sense of loss while highlighting the magnitude of this historical turning point. "The Ruination of Church Bells" stands as a testament to Russia's complex past—a reminder that art has always played a crucial role in documenting societal shifts. As we gaze upon this masterpiece, we are transported back to a time when power dynamics were shifting, religion was challenged, and society was undergoing radical transformation.

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