Metal Print > Architecture > Country > England
Metal Print : Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon
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Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Rievaulx Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]
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Media ID 14985213
© The Print Collector
Abbey Af Lydon Alexander Francis Alexander Francis Lydon Alexander Lydon Cistercian Disrepair Frederick Frederick Ross Hillside Lydon Mackenzie North Yorkshire Rievaulx Rievaulx Abbey Ross Ruined Abbeys Of Britain Sunlight William Mackenzie
16"x20" (51x41cm) Metal Print
Bring the historic beauty of Rievaulx Abbey into your home with our Media Storehouse Metal Prints. This captivating image, taken from The Ruined Abbeys of Britain by Frederick Ross, features the hauntingly beautiful ruins of Rievaulx Abbey as depicted by artist Alexander Francis Lydon in 1880. Our high-quality metal prints are not just a picture, they're a work of art. The vibrant colors and exceptional details are brought to life on a durable aluminum sheet, ensuring your print remains a stunning addition to your space for years to come. Relive the rich history of Rievaulx Abbey with every glance, and make it a conversation starter in your home or office.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This black and white lithograph captures the enchanting beauty of Rievaulx Abbey, a Cistercian ruin nestled amidst the picturesque countryside of North Yorkshire, England. The artist, Alexander Francis Lydon, skillfully portrays the architectural grandeur of this 12th-century abbey that has stood the test of time. The print showcases a serene hillside adorned with lush trees basking in sunlight. Three figures can be seen exploring the ruins; a woman gracefully walks alongside two children while a man observes from afar. Their presence adds depth to the image and evokes a sense of wonderment at the historical significance held within these ancient walls. Rievaulx Abbey's disrepair is evident through its crumbling exterior, yet it exudes an undeniable charm that draws viewers into its rich history. This print is part of "The Ruined Abbeys of Britain" collection by Frederick Ross, published in 1897 by William Mackenzie in London. As one gazes upon this lithograph, they are transported back to a bygone era where religion and architecture intertwined harmoniously. It serves as a reminder not only of our cultural heritage but also as an appreciation for nature's ability to reclaim what was once man-made. With its meticulous detail and atmospheric depiction, this print is truly a testament to both Lydon's artistic prowess and Rievaulx Abbey's enduring allure.
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