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Metal Print : The Prince of Orange Visititing Flood Victims at the Almoners Orphanage, Amsterdam, on 14 February 1 Creators: Mathieu Van Brée, William II, King of the Netherlands
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The Prince of Orange Visititing Flood Victims at the Almoners Orphanage, Amsterdam, on 14 February 1 Creators: Mathieu Van Brée, William II, King of the Netherlands
The Prince of Orange Visititing Flood Victims at the Almoners Orphanage, Amsterdam, on 14 February 1825, 1825
Heritage Images features heritage image collections
Media ID 36327373
© Heritage Art/Heritage Images
1820s Amsterdam Bad Weather Bree Mathieu Ignace Van Bree Mathieu Van Bree Mattheus Ignatius Van Class Flood Flooded Flooding King Of The Netherlands King William Ii Of The Netherlands Mathieu Ignace Van Bree Mathieu Van Bree Mattheus Ignatius Van Bree Orange Prince Of Orphan Orphanage Orphans Prince Of Orange Royal Visit Social Class Van Bree Mathieu Van Bree Mathieu Ignace Victim Victims Willem Frederik George Lodewijk William Frederick George Louis William Ii William Ii Grand Duke Of Luxembourg William Ii King Of The Netherlands William Ii Of The Netherlands King Willem Ii
16"x20" (51x41cm) Metal Print
Bring a piece of historical Dutch heritage into your home with our stunning Metal Prints featuring the iconic image of The Prince of Orange visiting flood victims at the Almoners Orphanage in Amsterdam, on 14 February 1825. This evocative photograph, creatively captured by Mathieu Van Brée, showcases a pivotal moment in Dutch history with King William II, the King of the Netherlands, extending a helping hand to those in need. Our high-quality Metal Prints add a unique, contemporary twist to your decor, while preserving the rich details and vibrant colors of this captivating image. Relive history and add a touch of elegance to your space with this inspiring piece from the Media Storehouse collection.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This evocative oil painting by Mathieu Van Brée captures a poignant moment in Dutch history as Prince William II, also known as The Prince of Orange, pays a visit to the Almoners Orphanage in Amsterdam on 14 February 1825. The Prince, who was also the King of the Netherlands and Grand Duke of Luxembourg, is depicted in the painting wearing a military uniform, standing amongst a group of flooded and devastated interiors. The orphanage, which was located in the heart of the city, had been inundated by heavy rains and flooding, leaving its residents and staff in dire straits. The Prince's visit served as a symbol of hope and compassion during a time of great hardship. The painting, with its muted colors and somber mood, captures the sense of loss and despair that must have pervaded the orphanage during this period. The class divide is also evident in the painting, with the Prince standing tall and proud, while the orphans and staff huddle together in the background, their faces etched with worry and sadness. This powerful painting is a testament to the resilience of the human spirit and the importance of compassion and empathy during times of crisis.
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