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Fine Art Print : The Prince of Orange Visititing Flood Victims at the Almoners Orphanage, Amsterdam, on 14 February 1 Creators: Mathieu Van Brée, William II, King of the Netherlands

The Prince of Orange Visititing Flood Victims at the Almoners Orphanage, Amsterdam, on 14 February 1 Creators: Mathieu Van Brée, William II, King of the Netherlands



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The Prince of Orange Visititing Flood Victims at the Almoners Orphanage, Amsterdam, on 14 February 1 Creators: Mathieu Van Brée, William II, King of the Netherlands

The Prince of Orange Visititing Flood Victims at the Almoners Orphanage, Amsterdam, on 14 February 1825, 1825

Heritage Images features heritage image collections

Media ID 36327373

© Heritage Art/Heritage Images

1820s Amsterdam Bad Weather Bree Mathieu Ignace Van Bree Mathieu Van Bree Mattheus Ignatius Van Class Flood Flooded Flooding King Of The Netherlands King William Ii Of The Netherlands Mathieu Ignace Van Bree Mathieu Van Bree Mattheus Ignatius Van Bree Orange Prince Of Orphan Orphanage Orphans Prince Of Orange Royal Visit Social Class Van Bree Mathieu Van Bree Mathieu Ignace Victim Victims Willem Frederik George Lodewijk William Frederick George Louis William Ii William Ii Grand Duke Of Luxembourg William Ii King Of The Netherlands William Ii Of The Netherlands King Willem Ii


20"x16" (+3" Border) Fine Art Print

Step into history with this captivating Fine Art Print from Media Storehouse. Witness a poignant moment in Dutch royal history as Prince of Orange, later King William II, pays a visit to the Almoners Orphanage in Amsterdam during the aftermath of the devastating 1825 flood. Captured by renowned photographer Mathieu Van Brée, this evocative image offers a glimpse into the compassionate heart of a future monarch. Add this beautiful print to your collection and bring a touch of historical significance to your home or office decor.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.7cm x 40.6cm (20" x 16")

Estimated Product Size is 66cm x 55.9cm (26" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > Mathieu Ignace van Bree

> Arts > Artists > P > George Prince

> Europe > Luxembourg > Paintings

> Europe > Luxembourg > Posters

> Europe > Luxembourg > Related Images

> Europe > Netherlands > Amsterdam

> Europe > Netherlands > Paintings

> Europe > Netherlands > Posters

> Europe > Netherlands > Related Images


EDITORS COMMENTS
This evocative oil painting by Mathieu Van Brée captures a poignant moment in Dutch history as Prince William II, also known as The Prince of Orange, pays a visit to the Almoners Orphanage in Amsterdam on 14 February 1825. The Prince, who was also the King of the Netherlands and Grand Duke of Luxembourg, is depicted in the painting wearing a military uniform, standing amongst a group of flooded and devastated interiors. The orphanage, which was located in the heart of the city, had been inundated by heavy rains and flooding, leaving its residents and staff in dire straits. The Prince's visit served as a symbol of hope and compassion during a time of great hardship. The painting, with its muted colors and somber mood, captures the sense of loss and despair that must have pervaded the orphanage during this period. The class divide is also evident in the painting, with the Prince standing tall and proud, while the orphans and staff huddle together in the background, their faces etched with worry and sadness. This powerful painting is a testament to the resilience of the human spirit and the importance of compassion and empathy during times of crisis.

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