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Metal Print : Oudin. Clovis. 49 ans, ne a Saint-Hilaire (Marne). Mecanicien. Anarchiste

Oudin. Clovis. 49 ans, ne a Saint-Hilaire (Marne). Mecanicien. Anarchiste



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Oudin. Clovis. 49 ans, ne a Saint-Hilaire (Marne). Mecanicien. Anarchiste

Oudin. Clovis. 49 ans, ne a Saint-Hilaire (Marne). Mecanicien. Anarchiste. 2/3/94. 1894

Heritage Images features heritage image collections

Media ID 20138340

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mechanic Mug Shot Mugshot Physical Anthropology Albumen Silver Print


16"x20" (51x41cm) Metal Print

Bring history to life with our Media Storehouse Metal Print featuring the captivating image of Clovis Oudin, a 49-year-old mechanic and anarchist from Saint-Hilaire (Marne), captured by renowned photographer Alphonse Bertillon in 1894. This high-quality metal print showcases the raw texture and timeless appeal of this iconic photograph, making it an exceptional addition to any home or office decor. Embrace the rich history and character of this captivating image, now available in a durable and stylish metal print format.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Marne

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This 19th-century albumen print by Alphonse Bertillon showcases the enigmatic figure of Oudin Clovis, a 49-year-old mechanic and self-proclaimed anarchist. Born in Saint-Hilaire (Marne), France, Oudin's mugshot captures his defiant spirit and political beliefs. The image, part of the Metropolitan Museum of Art collection, transports us back to an era when anthropometry played a significant role in criminal identification. Bertillonage, a pioneering system developed by Alphonse Bertillon himself, aimed to classify individuals based on their physical characteristics. This photograph stands as both a testament to this scientific approach and an intriguing portrait of rebellion against societal norms. Oudin's arrest record from March 2nd, 1894 is etched into history through this arresting image. His occupation as a mechanic adds another layer to his story - a man who defies authority while working with machines that symbolize progress and order. As we gaze upon Oudin's face, we are reminded of the power that photography holds in capturing not only appearances but also complex narratives. This photograph transcends time and place; it invites us to ponder the relationship between politics, crime, and personal identity. Alphonse Bertillon's work continues to fascinate scholars interested in anthropology and historical criminology. Through this print from Heritage Images at The Met collection, we gain insight into one man's defiance within the tumultuous landscape of late

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