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Metal Print : The Madonna of the Cat ( La Madonna del Gatto ), c1575, (1906). Artist: Anthony Cardon
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The Madonna of the Cat ( La Madonna del Gatto ), c1575, (1906). Artist: Anthony Cardon
The Madonna of the Cat ( La Madonna del Gatto ), c1575. After Federico Barocci (c1533-1612). Painting held in The National Gallery, London. From The Connoisseur Volume XVI [Otto Limited, London, 1906.]
Heritage Images features heritage image collections
Media ID 14960910
© The Print Collector
Anthony Antoine Antoine Cardon Barocci Cardon Cats Child Care Childcare Federico Federico Barocci Federigo Barocci Feline Felines National Gallery Saint Joseph Saint Mary St Joseph St Mary Stella Maris The Connoisseur The Virgin Mary Virgin Mother Anthony Cardon Mother Of God
16"x20" (51x41cm) Metal Print
Experience the timeless beauty of art with our Media Storehouse Metal Prints featuring "The Madonna of the Cat" (La Madonna del Gatto), a captivating masterpiece from the 16th century. This exquisite work, inspired by Federico Barocci's original painting held in The National Gallery, London, is brought to life through our premium metal print technology. Anthony Cardon's interpretation of this iconic image, depicting the Virgin Mary holding a cat, adds an intriguing twist to this classic Madonna representation. Elevate your home or office décor with this stunning, vibrant, and durable metal print, guaranteed to inspire wonder and admiration for generations to come.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Madonna of the Cat (La Madonna del Gatto)
EDITORS COMMENTS
is a captivating print that beautifully captures the essence of religious devotion and tender maternal love. Created by Anthony Cardon in 1906, this artwork is based on an original painting by Federico Barocci from the late 16th century. In this enchanting scene, we see the Virgin Mary cradling baby Jesus while a playful cat curiously observes them. The composition exudes tranquility as Mary gazes lovingly at her child, embodying the epitome of motherhood. The presence of animals adds an element of purity and innocence to the image, symbolizing harmony between all living creatures. The artist's attention to detail is evident in every stroke, bringing life to each character portrayed. The vibrant colors and intricate textures create a sense of depth and realism that draws viewers into this sacred moment. Displayed within London's prestigious National Gallery, "The Madonna of the Cat" has become a beloved masterpiece admired by art enthusiasts worldwide. Its timeless beauty transcends centuries and continues to inspire awe today. This remarkable print serves as a reminder of faith, compassion, and familial bonds that resonate with people from all walks of life. It encapsulates both religious symbolism and human emotion in one harmonious composition—a testament to Cardon's skillful interpretation of Barocci's original work.
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