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Metal Print : Letter from Thomas Carlyle to Macvey Napier, editor of the Edinburgh Review, 6th February 1832. Artist: Thomas Carlyle
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Letter from Thomas Carlyle to Macvey Napier, editor of the Edinburgh Review, 6th February 1832. Artist: Thomas Carlyle
Letter from Thomas Carlyle to Macvey Napier, editor of the Edinburgh Review, 6th February 1832. Letter written from 4 Ampton Street, London, by the writer Thomas Carlyle to Macvey Napier, editor of the Edinburgh Review, offering an article on Ebenezer Elliots Corn Law Rhymes, with allusions to his failure to find a publisher for his Sartor Resartus. From the first series of Facsimiles of royal, historical, literary and other autographs in the Department of Manuscripts, British Museum: Series I - V, (London, 1899)
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Media ID 14910376
© The Print Collector / Heritage-Images
Carlyle Correspondence Ebenezer Elliott Facsimile Letter Napier Publishing Signature Thomas Carlyle Print Collector3
16"x20" (51x41cm) Metal Print
Step into history with our exclusive Media Storehouse Metal Prints featuring the letter from Thomas Carlyle to Macvey Napier, dated 6th February 1832. This captivating piece, created by Ebenezer Elliott, showcases an original letter penned by Thomas Carlyle from his residence at 4 Ampton Street, London. This striking metal print brings the rich history of this literary correspondence to life, making it a must-have for history enthusiasts, literature lovers, and collectors alike. Experience the depth and character of this rare artifact with our high-quality metal print, expertly crafted to bring out the intricate details and authenticity of the original letter.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures a significant moment in literary history, showcasing the letter from renowned writer Thomas Carlyle to Macvey Napier, editor of the Edinburgh Review. Dated 6th February 1832, this handwritten correspondence provides a fascinating insight into Carlyle's struggles as an author during the 19th century. The image showcases not only the beauty of Carlyle's distinctive handwriting but also his determination to find a publisher for his groundbreaking work, Sartor Resartus. In this letter, he offers an article on Ebenezer Elliott's Corn Law Rhymes to Napier, perhaps hoping that it would open doors for his own publication. The vibrant colors and meticulous detail of this facsimile bring to life the artistic and intellectual world of the time. It is a testament to both Carlyle's literary prowess and his resilience in navigating the publishing industry. As we delve into this historical artifact, we are reminded of the challenges faced by writers throughout centuries past. This print serves as a reminder that even great minds like Carlyle experienced setbacks and rejections on their path towards success. With its rich symbolism and profound significance within literary circles, this print is not just an exquisite piece of art but also a window into an era where words held immense power and creativity flourished against all odds.
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