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Canvas Print : Letter from Thomas Carlyle to Macvey Napier, editor of the Edinburgh Review, 6th February 1832. Artist: Thomas Carlyle

Letter from Thomas Carlyle to Macvey Napier, editor of the Edinburgh Review, 6th February 1832. Artist: Thomas Carlyle



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Letter from Thomas Carlyle to Macvey Napier, editor of the Edinburgh Review, 6th February 1832. Artist: Thomas Carlyle

Letter from Thomas Carlyle to Macvey Napier, editor of the Edinburgh Review, 6th February 1832. Letter written from 4 Ampton Street, London, by the writer Thomas Carlyle to Macvey Napier, editor of the Edinburgh Review, offering an article on Ebenezer Elliots Corn Law Rhymes, with allusions to his failure to find a publisher for his Sartor Resartus. From the first series of Facsimiles of royal, historical, literary and other autographs in the Department of Manuscripts, British Museum: Series I - V, (London, 1899)

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Media ID 14910376

© The Print Collector / Heritage-Images

Carlyle Correspondence Ebenezer Elliott Facsimile Letter Napier Publishing Signature Thomas Carlyle Print Collector3


20"x16" (51x41cm) Canvas Print

Bring history to life with our exquisite Canvas Prints from Media Storehouse. This captivating piece, "Letter from Thomas Carlyle to Macvey Napier, editor of the Edinburgh Review, 6th February 1832," is a masterpiece by Thomas Carlyle, masterfully captured by Ebenezer Elliott and Macvey Napier. The letter, penned by Thomas Carlyle at 4 Ampton Street, London, is a testament to the rich literary heritage of the past. Our high-quality Canvas Prints bring out the intricate details and vibrant colors, making this historic letter a stunning addition to any room in your home or office. Relive the past with this beautiful work of art.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 40.6cm (20" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > Related Images

> Arts > Literature

> Arts > Portraits > Pop art gallery > Street art portraits

> Europe > United Kingdom > England > London > Museums > British Museum

> Europe > United Kingdom > England > London > Royalty

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > Scotland > Edinburgh > Edinburgh

> Europe > United Kingdom > Scotland > Lothian > Edinburgh

> Popular Themes > Edinburgh

> Popular Themes > Poets


EDITORS COMMENTS
This print captures a significant moment in literary history, showcasing the letter from renowned writer Thomas Carlyle to Macvey Napier, editor of the Edinburgh Review. Dated 6th February 1832, this handwritten correspondence provides a fascinating insight into Carlyle's struggles as an author during the 19th century. The image showcases not only the beauty of Carlyle's distinctive handwriting but also his determination to find a publisher for his groundbreaking work, Sartor Resartus. In this letter, he offers an article on Ebenezer Elliott's Corn Law Rhymes to Napier, perhaps hoping that it would open doors for his own publication. The vibrant colors and meticulous detail of this facsimile bring to life the artistic and intellectual world of the time. It is a testament to both Carlyle's literary prowess and his resilience in navigating the publishing industry. As we delve into this historical artifact, we are reminded of the challenges faced by writers throughout centuries past. This print serves as a reminder that even great minds like Carlyle experienced setbacks and rejections on their path towards success. With its rich symbolism and profound significance within literary circles, this print is not just an exquisite piece of art but also a window into an era where words held immense power and creativity flourished against all odds.

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