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Metal Print : Horace Greeley, from the series Great Americans (N76) for Duke brand cigarettes, 1888

Horace Greeley, from the series Great Americans (N76) for Duke brand cigarettes, 1888



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Horace Greeley, from the series Great Americans (N76) for Duke brand cigarettes, 1888

Heritage Images features heritage image collections

Media ID 20291032

© Heritage Art/Heritage Images

Chromolithograph Cigarette Cigarettes Collectible Commercial Color Lithograph Duke Duke W Sons Co Editor Horace Reformer Sons And Co Sons And Company W Duke Sons And Company W Duke Sons Co Greeley Horace Greeley New York Tribune


16"x24" (61x41cm) Metal Print

Bring history to life with our Media Storehouse Metal Prints featuring Horace Greeley from the iconic "Great Americans (N76)" series for Duke brand cigarettes, captured in 1888. This captivating image of the renowned American journalist and newspaper editor, known for his famous cry "Go West, Young Man," is now transformed into a stunning, high-definition metal print. Each print is meticulously crafted with vibrant colors and exceptional detail, ensuring a museum-quality finish. Elevate your home or office decor with a piece of American history that's sure to inspire and captivate.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> People > Politicians

> Popular Themes > Politics


EDITORS COMMENTS
This print showcases Horace Greeley, a prominent figure in 19th-century America. The image is part of the Great Americans series commissioned by Duke brand cigarettes in 1888. In this color lithograph, Greeley's portrait exudes authority and wisdom as he gazes confidently into the distance. Horace Greeley was an influential American politician and newspaper editor, best known for his role as the founder and editor of the New York Tribune. As a reformer and advocate for social change, Greeley played a significant role in shaping political discourse during his time. The artist behind this chromolithograph remains unknown, but their skillful use of color brings out every detail of Greeley's face and attire. The vibrant hues enhance the overall impact of the image, making it visually striking. Displayed at The Metropolitan Museum of Art (The Met), this cigarette card has become a collectible piece that represents both American history and advertising culture from that era. It serves as a reminder of how art can be used to promote products while immortalizing important figures like Horace Greeley. As we admire this photograph today, we are transported back to a time when smoking was not only socially acceptable but also associated with sophistication. This historical artifact allows us to appreciate both its artistic value and its significance within American politics and society during the late 19th century.

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