Metal Print : The Head of Mary Magdalene; from "The Return from Calvary" after Herbert Schmalz, 1891. Creator: Herbert Gustave Schmalz. The Head of Mary Magdalene; from "The Return from Calvary" after Herbert Schmalz, 1891

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The Head of Mary Magdalene; from "The Return from Calvary" after Herbert Schmalz, 1891. Creator: Herbert Gustave Schmalz. The Head of Mary Magdalene; from "The Return from Calvary" after Herbert Schmalz, 1891

The Head of Mary Magdalene; from "The Return from Calvary" after Herbert Schmalz, 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891

Heritage Images features heritage image collections

Media ID 36293709

© The Print Collector/Heritage Images

Follower Head Covering Looking Up Magdalene Mary Maria Magdalena Marie Madeleine Mary Madeleine Mary Magdalene Mary Of Magdala Saint Magdalene Saint Mary Magdalene Sorrow St Mary Magdalene The Graphic

16"x20" (51x41cm) Metal Print

Bring the haunting beauty of Herbert Gustave Schmalz's 'The Head of Mary Magdalene' into your home with our Media Storehouse Metal Prints. This exquisite work of art, originally published in The Graphic in 1891, captures the profound emotion and depth of Mary Magdalene as she mourns the loss of Jesus on the road to Calvary. Our high-quality metal prints are not only visually stunning but also durable and long-lasting, making them an excellent addition to any space. Experience the captivating artistry of Schmalz and elevate your decor with this timeless masterpiece.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

EDITORS COMMENTS
a poignant and evocative image from German artist Herbert Gustave Schmalz's painting "The Return from Calvary," dates back to 1891. This powerful black and white portrait, published in The Graphic: An Illustrated Weekly Newspaper, captures the profound sorrow and devotion of Mary Magdalene, one of Jesus Christ's most devoted followers. Mary Magdalene, often referred to as Marie Madeleine or Saint Mary Magdalene, is depicted in the image with her head bowed and covered in a traditional veil, her eyes fixed on an unseen horizon. Her expression conveys a deep sense of loss and contemplation, reflecting the profound grief she felt at the crucifixion and burial of her beloved teacher and savior. Schmalz's masterful use of chiaroscuro, or strong contrasts between light and dark, adds depth and texture to the image, emphasizing the emotional intensity of the scene. The monochromatic palette further underscores the solemnity and reverence of the moment. This hauntingly beautiful portrait offers a glimpse into the rich history of Christian art and the enduring legacy of Mary Magdalene as a symbol of faith, devotion, and the human capacity for sorrow and redemption. The image is a testament to Schmalz's skill as a painter and his ability to capture the essence of a beloved religious figure, making it a valuable addition to any collection of art or religious history.

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