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Metal Print : The Governor of Lagos, and the Envoys of the King of Dahomey, 1891. Creator: Unknown

The Governor of Lagos, and the Envoys of the King of Dahomey, 1891. Creator: Unknown



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The Governor of Lagos, and the Envoys of the King of Dahomey, 1891. Creator: Unknown

The Governor of Lagos, and the Envoys of the King of Dahomey, 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891

Heritage Images features heritage image collections

Media ID 36242560

© The Print Collector/Heritage Images

Benin Dahomey Delegation Diplomacy Diplomatic Envoy Governor Negotiate Negotiating Negotiation Scramble For Africa West Africa West African British Empire Envoys Negotiations


16"x20" (51x41cm) Metal Print

Step back in time with our exclusive Media Storehouse Metal Print featuring the historic encounter between the Governor of Lagos and the Envoys of the King of Dahomey, captured in a rare 1891 illustration from The Graphic. This captivating image, sourced from Heritage Images, showcases the rich cultural exchange between two significant figures during the colonial era. Bring this intriguing piece of history into your home or office with our premium metal print, which offers vibrant colors, stunning clarity, and a sleek, modern design. Order now and add a touch of timeless charm to your space.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Benin > Related Images

> Arts > Artists > B > Benin Benin


EDITORS COMMENTS
The Governor of Lagos and the Envoys of the King of Dahomey," an intriguing photograph from the late 19th century, captures a significant moment in the complex web of diplomatic relations between Africa and Europe during the height of colonialism. The image, published in "The Graphic. An Illustrated Weekly Newspaper" in 1891, depicts Sir Carter Gilbert Thomas, the British Governor of Lagos, engaged in negotiations with a delegation from the Kingdom of Dahomey, located in present-day Benin, West Africa. The scene is set against the backdrop of the "Scramble for Africa," a period of intense competition among European powers to claim territories and resources on the African continent. The delegation, comprised of Fon men, is led by envoys representing the powerful and influential King of Dahomey. Their visit to Lagos was likely an attempt to strengthen diplomatic ties with the British and maintain a degree of autonomy in the face of encroaching European influence. The photograph offers a glimpse into the intricacies of colonial-era diplomacy, as the Governor and the envoys negotiate the terms of their interaction. The men are dressed in traditional attire, reflecting their African and European identities, and their expressions suggest a serious and respectful dialogue. The image serves as a reminder of the complex and multifaceted nature of colonialism, which involved not only military conquest but also diplomatic engagement and cultural exchange. The photograph, a testament to the rich history of Africa and its interactions with European powers, is a valuable addition to any collection focusing on the colonial era, African history, or diplomacy. Its mysterious origins, as an unknown work from "The Graphic," only add to its allure and intrigue.

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