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Metal Print : Fountains Abbey, 1882, (1897). Artist: Alexander Francis Lydon

Fountains Abbey, 1882, (1897). Artist: Alexander Francis Lydon



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Fountains Abbey, 1882, (1897). Artist: Alexander Francis Lydon

Fountains Abbey, 1882, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Heritage Images features heritage image collections

Media ID 14985127

© The Print Collector

Abbey Af Lydon Alexander Francis Alexander Francis Lydon Alexander Lydon Cistercian Disrepair Fountains Abbey Frederick Frederick Ross Lydon Mackenzie North Yorkshire Remains Ross Ruined Abbeys Of Britain Shadow William Mackenzie Aldfield Faaade


16"x24" (61x41cm) Metal Print

Bring the historic beauty of Fountains Abbey into your home with our Media Storehouse Metal Print of Alexander Francis Lydon's iconic 1882 image. Captured from The Ruined Abbeys of Britain, this timeless photograph showcases the hauntingly beautiful ruins of the Cistercian monastery, bathed in the soft light of yesteryears. Our high-quality Metal Prints are meticulously crafted to bring out the rich colors and intricate details of this classic image, making it a stunning addition to any room in your house. With a sleek, modern design and durable, rust-resistant metal surface, this print is not only an elegant decor piece but also a long-lasting investment for art lovers and history enthusiasts.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Country > England

> Architecture > Related Images

> Architecture > Religious

> Arts > Artists > A > Francis Alexander

> Arts > Artists > A > William Alexander

> Arts > Artists > M > Frederick Mackenzie

> Arts > Landscape paintings > Waterfall and river artworks > Landscape paintings

> Europe > United Kingdom > England > London > Bridges > London Bridge

> Europe > United Kingdom > England > London > Politics > Frederick North

> Europe > United Kingdom > England > London > Related Images


EDITORS COMMENTS
This black and white lithograph, titled "Fountains Abbey, 1882" by Alexander Francis Lydon, takes us back to the enchanting ruins of a once majestic Cistercian abbey in North Yorkshire, England. The print is featured in the renowned book "The Ruined Abbeys of Britain" by Frederick Ross. The image transports us to the 12th century, where we witness the remains of this religious architectural marvel standing proudly on the riverbank. The bridge leading to the abbey's facade adds an element of mystery and intrigue. As sunlight filters through ancient trees, casting shadows on crumbling walls and moss-covered stones, it evokes a sense of tranquility amidst decay. Lydon's attention to detail captures every nuance of Fountains Abbey's disrepair with remarkable precision. This print serves as a testament to both his artistic prowess and his deep appreciation for British geography and heritage. As we gaze upon this lithograph from 1897, we are reminded not only of Fountains Abbey's historical significance but also its enduring impact on literature and art. It stands as a symbol of Christian spirituality intertwined with nature—a powerful representation that has fascinated generations. Through this print collector's lens, we are transported across time into an era long gone but forever preserved within these hauntingly beautiful ruins—testimony to the rich tapestry that is Britain's cultural legacy.

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