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Metal Print : The Elopement (parody of Akutagawa episode from "Tales of Ise"), c. 1767

The Elopement (parody of Akutagawa episode from 'Tales of Ise'), c. 1767



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The Elopement (parody of Akutagawa episode from "Tales of Ise"), c. 1767

The Elopement (parody of Akutagawa episode from " Tales of Ise" ), c. 1767

Heritage Images features heritage image collections

Media ID 24371325

© Heritage Art/Heritage Images

Carrying On Back Chuban Elopement Eloping Harunobu Harunobu Suzuki Portraitarts Of Asia Running Away Suzuki Harunobu Tales Of Ise Woodcutcolour Woodblock Print Parody Satirical Young Man


16"x20" (51x41cm) Metal Print

Bring the enchanting world of Japanese woodblock prints into your home with Media Storehouse's Metal Prints. This exquisite piece, titled "The Elopement (parody of Akutagawa episode from 'Tales of Ise')" by Suzuki Harunobu, dates back to 1767. Depicting a playful take on a classic tale from Japanese literature, this print showcases intricate details and vibrant colors that are brought to life on high-quality metal. Each Metal Print is coated with a protective layer to preserve the image and ensure a long-lasting, stunning display. Elevate your interior design with this unique and captivating work of art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > H > Suzuki Harunobu

> Arts > Artists > J > Japanese School Japanese School

> Arts > Literature

> Arts > Pop art > Satire > Satirical artwork

> Asia > Japan > Related Images


EDITORS COMMENTS
The Elopement (parody of Akutagawa episode from 'Tales of Ise'), c. 1767 - A Satirical Reflection on Love and Tradition This woodblock print, created by Suzuki Harunobu in the late 18th century during Japan's Edo period, offers a whimsical glimpse into the world of love and rebellion. Titled 'The Elopement, ' it playfully parodies an episode from the famous literary work 'Tales of Ise' by Akutagawa. In this scene, we witness a young couple dressed in vibrant traditional costumes, their clothing adorned with intricate patterns and hues of green and pink. The woman is elegantly carried on the back of her lover as they make their daring escape from societal norms. Their expressions reveal a mix of excitement, trepidation, and determination. Harunobu's mastery in ukiyo-e woodblock printing shines through every detail; from the delicate lines that define each figure to the skillful use of color that brings life to this satirical narrative. The rose-colored background adds a touch of romance to an otherwise audacious act. Through this artwork, Harunobu invites us to question societal expectations surrounding love and marriage while celebrating individual freedom within cultural traditions. It serves as both a visual delight for art enthusiasts and a thought-provoking commentary on human relationships. Displayed at the Art Institute Chicago's Asian Art Gallery, this piece stands as a testament to Suzuki Har

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