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Metal Print : Dunstan dragging King Edwy from his Consort Queen Ethelgiva on his Coronation Day, 1773

Dunstan dragging King Edwy from his Consort Queen Ethelgiva on his Coronation Day, 1773



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Dunstan dragging King Edwy from his Consort Queen Ethelgiva on his Coronation Day, 1773

Dunstan dragging King Edwy from his Consort Queen Ethelgiva on his Coronation Day, 1773. King Edwy (died 959) is returned to the banquet following his coronation from his Consort, Queen Ethelgiva by Dunstan. After Samuel Wale (1721-1786). From " A New and Complete History of England, From the Earliest Period of Authentic Intelligence to the Present Time", by Temple Sydney. [J. Cooke, London, 1773]

Heritage Images features heritage image collections

Media ID 19064061

© The Print Collector/Heritage Images

10th Century Abbot Anglo Saxon C Grignion Charles Grignion Charles Grignionthe Elder Charles Grignion the Elder Cooke Coronation Dragging Dunstan Duty Four People Frame Grignion His Majesty J Cooke King Of England New And Complete History Of England Queen Consort Reluctant Responsibility Royal Event Saint Dunstan Samuel Samuel Wale Separation St Dunstan Sydney Sydney Temple Tenth Century Wale Aelfgifu Eadwig Edwy King Edwy Titled


16"x24" (61x41cm) Metal Print

Step back in time with our captivating Media Storehouse Metal Print of Dunstan dragging King Edwy from his Consort Queen Ethelgiva on his Coronation Day, 1773. This historic moment, sourced from Heritage Images, is brought to life in vivid detail through our premium metal print process. The high-quality metal sheet gives the image a distinctive, three-dimensional look and feel, making it a stunning addition to any home or office. Relive the drama of medieval England as you display this intriguing piece of history on your walls. Order now and bring the past into your present.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > King Charles

> Arts > Artists > D > Saint Dunstan

> Arts > Artists > G > Charles Grignion

> Arts > Artists > K > Samuel King

> Arts > Artists > W > Charles White

> Arts > Artists > W > Samuel Wale

> Arts > Literature > Illustration

> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings


EDITORS COMMENTS
Dunstan dragging King Edwy from his Consort Queen Ethelgiva on his Coronation Day, 1773. In this print, we witness a momentous event in British history captured with remarkable detail. The engraving depicts the dramatic scene where Dunstan, an influential figure of the time, reluctantly separates King Edwy from his beloved Queen Ethelgiva during his coronation banquet. The image transports us back to the 10th century, showcasing the intricate costumes and regal setting of that era. It is evident that this historic occasion holds great political and religious significance as it unfolds within an ornate interior frame. Through Charles Grignion's masterful artistry, every emotion is vividly portrayed - from King Edwy's sense of duty towards his people to Queen Ethelgiva's poignant expression as she watches her husband being led away. This powerful illustration captures not only a royal event but also highlights the complex dynamics between monarchy and religion during this period. This print serves as a visual representation of Temple Sydney's comprehensive historical account in 'A New and Complete History of England. ' Its inclusion in this esteemed publication further solidifies its importance as a testament to our nation's past. As we gaze upon this image, we are reminded of the enduring power struggles faced by monarchs throughout history. It invites us to reflect on how responsibilities and duties can sometimes come at great personal cost.

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