Metal Print > North America > United States of America > Georgia > Savannah
Metal Print : The Cemetery of Bonaventure, 19th century
Metal Prints From Heritage Images
The Cemetery of Bonaventure, 19th century
The Cemetery of Bonaventure, 19th century. From The Colonial Portfolio. [The Werner Company, London]
Heritage Images features heritage image collections
Media ID 14975789
© The Print Collector
Bonaventure Cemetery Colonial Portfolio Georgia Savannah Werner Company
16"x20" (51x41cm) Metal Print
Breathtaking history comes to life with our Media Storehouse Metal Prints. Feast your eyes on this captivating image of The Cemetery of Bonaventure, taken in the 19th century. This timeless photograph, sourced from The Colonial Portfolio by The Werner Company, London, transports you back in time. Our high-quality metal prints are not just a decorative addition to your space, they're a conversation starter. Each print is meticulously printed on a sheet of aluminum, ensuring vibrant colors and stunning clarity. The sleek, modern look of the metal adds a unique touch to any room. Bring history into your home with this beautiful, vintage image of The Cemetery of Bonaventure. Order your Metal Print today and let the story unfold.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The Cemetery of Bonaventure, captured in the 19th century, stands as a hauntingly beautiful testament to the passage of time and the eternal embrace of nature. This print, sourced from The Colonial Portfolio by The Werner Company in London, transports us to a serene corner of Georgia's Savannah. Amidst a backdrop of towering trees and lush vegetation, this outdoor sanctuary exudes an air of tranquility that belies its purpose as a final resting place. The monochrome palette enhances the ethereal quality of the scene, inviting contemplation on life's transience and our connection with the natural world. As we gaze upon this American landscape frozen in time, we are reminded that death is not an end but rather part of an ongoing cycle. Each weathered tombstone tells a story - tales etched into stone that speak volumes about lives once lived. It serves as both a reminder and celebration of those who have come before us. The Cemetery of Bonaventure encapsulates more than just physical location; it embodies concepts such as memory, legacy, and our collective human experience. Its timeless beauty resonates across centuries and continents – reminding us that even in death there is still profound beauty to be found. This remarkable print from The Print Collector offers viewers an opportunity to reflect on their own mortality while appreciating the enduring power and grace found within nature's embrace.
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