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Metal Print : Hogs Killing a Rattlesnake, 1930. Artist: John Steuart Curry

Hogs Killing a Rattlesnake, 1930. Artist: John Steuart Curry



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Hogs Killing a Rattlesnake, 1930. Artist: John Steuart Curry

Hogs Killing a Rattlesnake, 1930. Painting held at the University of Arizona Museum of Art. From The Studio Volume 113. [London Offices of the Studio, London, 1937]

Heritage Images features heritage image collections

Media ID 14967907

© The Print Collector

Killing Reptile Snake Studio Publications Studio Volume 113 Underneath Curry Rattlesnake


16"x20" (51x41cm) Metal Print

Experience the raw power and intensity of John Steuart Curry's iconic painting, "Hogs Killing a Rattlesnake," now available as a stunning Metal Print from Media Storehouse. This timeless masterpiece, originally created in 1930 and held at the University of Arizona Museum of Art, captures the essence of the American South and its rich cultural heritage. The vivid colors and intricate details of Curry's brushstrokes are brought to life on high-quality metal, creating a captivating and contemporary work of art that is sure to be a conversation starter in any home or office. Order your Metal Print today and bring a piece of American art history into your space.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Heritage Images > Animals & Pets

> Animals > Reptiles > Snakes > Brown Snake > Related Images

> Animals > Reptiles > Snakes > Rattlesnake > Related Images

> Animals > Reptiles > Snakes > Related Images

> Animals > Reptiles > Snakes > Tree Snake > Brown Tree Snake

> Animals > Reptiles > Snakes > Tree Snake > Related Images

> Arts > Artists > B > John Brown

> Arts > Landscape paintings > Forest and woodland scenes > Nature-inspired art

> Arts > Still life artwork > Oil paintings > Animal portraits

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Arts > Realistic drawings > Animal portraits > Animal artwork


EDITORS COMMENTS
Caption: "Hogs Killing a Rattlesnake, 1930" is a captivating oil on canvas painting by American artist John Steuart Curry. This remarkable artwork, held at the University of Arizona Museum of Art, showcases nature's raw power and the struggle for survival in the animal kingdom. Set against a backdrop of lush woodlands and towering trees, this scene captures an intense moment as hogs confront and overpower a venomous rattlesnake. The vibrant colors bring to life the brown hues of the hogs' coarse fur and the intricate patterns on the snake's scaly skin. With mouths open wide in fierce determination, these pigs symbolize both their own instinctual need for self-preservation and mankind's relentless pursuit to conquer nature. Curry masterfully portrays this clash between predator and prey with meticulous attention to detail. The composition draws viewers into the heart of action, where every stroke reveals tension and impending danger. Through his brushwork, Curry conveys not only physical conflict but also deeper themes such as life-and-death struggles that have been present throughout centuries. Originally published in "The Studio Volume 113" by London Offices of The Studio in 1937, this print serves as a testament to Curry's artistic prowess during the early 20th century. It remains an enduring reminder of our complex relationship with nature – one that encompasses both harmony and brutality. "

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