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Metal Print : SOUTH AFRICA, 1652. The landing of Jan van Riebeeck at Table Bay, South Africa in 1652

SOUTH AFRICA, 1652. The landing of Jan van Riebeeck at Table Bay, South Africa in 1652



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SOUTH AFRICA, 1652. The landing of Jan van Riebeeck at Table Bay, South Africa in 1652

SOUTH AFRICA, 1652.
The landing of Jan van Riebeeck at Table Bay, South Africa in 1652. After a painting, c1850, by Charles Davidson Bell

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12414968

1652 Bell Black Boer Cape Of Good Hope Colonialism Colonist Colony Dutch Flag Landing Native Settler Tribe Davidson Riebeeck Table Bay


16"x20" (51x41cm) Metal Print

Step back in time with our captivating Metal Print of South Africa, 1652. Witness the historic moment as Jan van Riebeeck sets foot on Table Bay soil for the first time, marking the beginning of European colonization in South Africa. This exquisite print, featuring the iconic painting by Charles Davidson Bell, is meticulously transferred onto a durable metal surface for vibrant colors and stunning detail. Bring a piece of South African history into your home or office and relive the stories of the past with our high-quality Metal Print.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Granger Art on Demand > World History

> Africa > South Africa > Related Images

> Arts > Artists > B > Charles Bell

> Arts > Fine Art


EDITORS COMMENTS
This print takes us back to the historical moment of South Africa's colonization. The image captures the monumental landing of Jan van Riebeeck at Table Bay in 1652, a pivotal event that would shape the course of this diverse nation's history. The black and white composition adds a sense of timelessness, emphasizing the significance and gravity of this colonial encounter. A group of men, led by Van Riebeeck himself, can be seen disembarking from their ship onto the shores of Table Bay. They stand tall and resolute, representing Dutch colonists who arrived with ambitions to establish a settlement. In contrast to these European settlers, we catch glimpses of native tribesmen observing their arrival from afar. This serves as a poignant reminder that this land was already inhabited by indigenous communities long before colonization took place. The painting upon which this print is based was created by Charles Davidson Bell around 1850, showcasing his artistic talent in capturing historical moments with great detail and precision. As we reflect on this scene frozen in time, it sparks contemplation about the complex legacy left behind by colonialism in South Africa. It invites us to delve into discussions surrounding identity, power dynamics between settlers and natives, as well as ongoing efforts towards reconciliation and understanding within this beautiful country.

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