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Metal Print : OUTDOOR TOILET, 1935. A typical outhouse in the slum district of Washington, D. C. Photograph by Carl Mydans, September 1935
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OUTDOOR TOILET, 1935. A typical outhouse in the slum district of Washington, D. C. Photograph by Carl Mydans, September 1935
OUTDOOR TOILET, 1935.
A typical outhouse in the slum district of Washington, D.C. Photograph by Carl Mydans, September 1935
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Media ID 13214922
1935 Bucket Carl Dirty Great Depression Lower Class Mydans New Deal Outhouse Poverty Puddle Rural September Slum Tire Toilet Trash Washington Dc Wooden
16"x20" (51x41cm) Metal Print
Step back in time with our Media Storehouse Metal Print featuring the evocative image of an Outdoor Toilet in the slum district of Washington, D.C., captured by renowned photographer Carl Mydans in 1935. This vintage photograph, available through Granger Art on Demand, showcases a poignant moment in history. Our high-quality Metal Prints bring the depth and richness of the original image to life, making it a unique and thought-provoking addition to your home or office decor. Order yours today and let this historical piece spark conversation and inspire reflection.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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> Arts
> Artists
> M
> Carl Mydans
> Arts
> Realistic drawings
> Still life artwork
> Fine art
> North America
> United States of America
> Washington, District of Columbia
EDITORS COMMENTS
This powerful photograph, titled "OUTDOOR TOILET, 1935" captures a stark reality of life in the slum district of Washington, D. C. during the Great Depression. Taken by renowned photographer Carl Mydans in September 1935, this image offers a glimpse into the daily struggles faced by those living in poverty-stricken areas. The photo depicts a typical outhouse commonly used by the lower class residents at that time. The wooden structure stands worn and weathered amidst a backdrop of dilapidated buildings and trash-strewn streets. A bucket sits outside the toilet, serving as a reminder of limited resources available to these communities. Mydans' lens takes us inside this humble facility where we can imagine the harsh conditions people endured on a daily basis. The interior is dimly lit with minimal ventilation, emphasizing the lack of basic amenities that many took for granted. Through his work for the Farm Security Administration (FSA) under President Roosevelt's New Deal program, Mydans aimed to shed light on rural poverty across America. This particular photograph serves as an important historical document illustrating both physical deprivation and social inequality prevalent during that era. As we reflect upon this image from over eight decades ago, it reminds us not only of how far society has progressed but also highlights ongoing challenges faced by marginalized communities today.
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