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Metal Print : English chemist and physicist. The bladder-bellows and feather used by Robert Boyle to find a medium more subtle than air. Woodcut from Boyles A Continuation of New Experiments Physico-Mechanical Touching the Spring and Weight of the Air, and their Effect, 1669
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English chemist and physicist. The bladder-bellows and feather used by Robert Boyle to find a medium more subtle than air. Woodcut from Boyles A Continuation of New Experiments Physico-Mechanical Touching the Spring and Weight of the Air, and their Effect, 1669
ROBERT BOYLE (1627-1691).
English chemist and physicist. The bladder-bellows and feather used by Robert Boyle to find a medium more subtle than air. Woodcut from Boyles A Continuation of New Experiments Physico-Mechanical Touching the Spring and Weight of the Air, and their Effect, 1669
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 10409768
1669 Anatomy Apparatus Bellows Bladder Boyle Chemist Diagram Feather Idea Invention Inventor Physicist Physics Research Robert Science Spring And Weight Of The Air Vacuum
20"x24" (61x51cm) Metal Print
Discover the intriguing world of 17th-century science with our Media Storehouse Metal Print featuring Robert Boyle, the renowned English chemist and physicist. This captivating image, taken from Granger Art on Demand's "A Continuation of New Experiments Physico-Mechanical Touching the Spring and Weight of the Air, and their Effect," showcases Boyle's groundbreaking experiment using bladder-bellows and a feather to explore the existence of a medium more subtle than air. Bring this piece of history into your home or office and ignite conversations about the fascinating discoveries of the past. Each Metal Print is meticulously crafted using high-quality materials and vibrant colors, ensuring a stunning and long-lasting display. Order yours today and embark on a journey through time!
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 60.9cm (20" x 24")
Estimated Product Size is 51.4cm x 61.5cm (20.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This woodcut print showcases the innovative mind of Robert Boyle, an eminent English chemist and physicist from the 17th century. The image depicts two key elements used by Boyle in his quest to discover a medium more subtle than air: a bladder-bellows and a feather. Boyle's groundbreaking experiments are documented in his renowned work, "A Continuation of New Experiments Physico-Mechanical Touching the Spring and Weight of the Air, and their Effect" published in 1669. This woodcut illustration is taken directly from that publication. The bladder-bellows depicted here played a crucial role in Boyle's exploration of vacuum phenomena. By manipulating this apparatus, he was able to create partial vacuums which allowed him to investigate various properties of gases and their behavior under different conditions. The presence of the feather adds another layer of intrigue to this image. It symbolizes Boyle's pursuit for a medium even more ethereal than air itself—a concept that would later be understood as the absence or near-absence of matter within a given space. Overall, this woodcut print not only captures an important moment in scientific history but also serves as a testament to Robert Boyle's ingenuity and relentless curiosity about the natural world.
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