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Metal Print : ANABAPTISTS IN ITALY being forced to jump to their deaths. Wood engraving by A. Anderson form an early 19th century edition of Foxes Book of Martyrs
Metal Prints From Granger
ANABAPTISTS IN ITALY being forced to jump to their deaths. Wood engraving by A. Anderson form an early 19th century edition of Foxes Book of Martyrs
ANABAPTISTS IN ITALY
being forced to jump to their deaths. Wood engraving by A. Anderson form an early 19th century edition of Foxes Book of Martyrs
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 7515517
Anabaptist Book Of Martyrs Cat O Nine Tails Catholic Cruelty Death Foxe Heretic Italy Punishment Reformation Spike Violence Roman Inquisition
16"x20" (51x41cm) Metal Print
Step back in time with our Media Storehouse Metal Prints featuring the haunting image of Anabaptists in Italy from the early 19th century. This powerful wood engraving by A. Anderson, taken from an edition of Foxes Book of Martyrs, captures a pivotal moment in history. Witness the courage and resilience of these religious dissenters as they are forced to make the ultimate sacrifice. Each Metal Print is expertly crafted using high-quality materials and state-of-the-art printing techniques, ensuring a stunning and long-lasting addition to your home or office decor. Bring history to life with this captivating and thought-provoking piece from The Granger Collection, New York, now available through Granger Art on Demand.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This haunting image captures a dark chapter in history, depicting the tragic fate of Anabaptists in 16th century Italy. The wood engraving by A. Anderson, featured in an early 19th century edition of Foxes Book of Martyrs, portrays the unimaginable cruelty and violence inflicted upon these individuals deemed heretics by the Catholic Church during the Reformation. In this scene, we witness a heart-wrenching moment as Anabaptists are forced to jump to their deaths. The spike-filled pit below symbolizes the depths of punishment they faced for their beliefs. This visual representation serves as a stark reminder of the power wielded by religious authorities and their willingness to go to extreme lengths to suppress dissent. The Roman Inquisition's brutal methods are exemplified through the use of cat o' nine tails, an instrument synonymous with pain and suffering. As viewers contemplate this print, they cannot help but be moved by the sheer horror experienced by those who dared challenge established dogma. This historical artifact from The Granger Collection offers us a glimpse into a time when faith was used as justification for unspeakable acts against fellow human beings. It stands as a testament to both man's capacity for cruelty and resilience in face of persecution.
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