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Metal Print : Alfred the Great (849-899) Anglo-Saxon king of Wessex from 871. Alfred, hiding from Danes in cowherd's (neatherd's) cottage on Isle of Athelney, Somerset, scolded by housewife for allowing cakes/bread to burn
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Alfred the Great (849-899) Anglo-Saxon king of Wessex from 871. Alfred, hiding from Danes in cowherd's (neatherd's) cottage on Isle of Athelney, Somerset, scolded by housewife for allowing cakes/bread to burn
530981 Alfred the Great (849-899) Anglo-Saxon king of Wessex from 871. Alfred, hiding from Danes in cowherd's (neatherd's) cottage on Isle of Athelney, Somerset, scolded by housewife for allowing cakes/bread to burn. Colour-printed wood engraving London 1864.; Universal History Archive/UIG
Media ID 38208488
© Universal History Archive/UIG / Bridgeman Images
1864 Alfred Anglo Saxon Bake Baking Burn Colour Printed Cowherd Cuisine Danes Hiding Housewife Isle Somerset Wessex Allowing Athelney Neatherd Scolded
16"x20" (51x41cm) Metal Print
Here is a short product caption: "Bring the past to life with our Metal Prints featuring iconic historical moments! This stunning image shows Alfred the Great hiding from Danes in a cowherder's (neatherd's) cottage on the Isle of Athelney, Somerset. Scolded by the housewife for allowing cakes and bread to burn, this candid moment captures a glimpse into Anglo-Saxon life during 871 AD. Perfect for history buffs and art enthusiasts alike! Order now from our Media Storehouse range.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures a moment in history when Alfred the Great, the Anglo-Saxon king of Wessex from 871, found himself hiding from Danes in a humble cowherd's cottage on the Isle of Athelney in Somerset. The scene unfolds as Alfred is scolded by a housewife for allowing cakes or bread to burn, showcasing his vulnerability and humanity even amidst the chaos of war.
The image, a colour-printed wood engraving from London in 1864, transports us back to a time when legends were made and kingdoms were fought for. The details captured in this print - from the rustic cottage to the stern expression on the housewife's face - bring this historical moment to life with vivid clarity.
Alfred's resilience and determination shine through even in this seemingly mundane interaction, reminding us that great leaders are not immune to everyday challenges. This print serves as a powerful reminder of Alfred's legacy as one of England's most revered monarchs and showcases his ability to lead with both strength and humility.
As we gaze upon this remarkable image, we are transported back in time to witness a pivotal moment in history through the lens of an artist who has expertly captured both the grandeur and intimacy of Alfred's story.
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