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Metal Print : A Recruiting Party, 1797 (etching)
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A Recruiting Party, 1797 (etching)
5920300 A A Recruiting PartyA, 1797 (etching) by Cruikshank, Isaac (1756-1811) (after); National Army Museum, London; (add.info.: A A Recruiting PartyA, 1797.
Coloured etching by Isaac Cruikshank after C Woodward, published by Allen and West, 15 Paternoster Row, London, 18 February 1797.
The recruiting officer holds up a purse to the envy and amazement of some country bumpkins. Recruiting parties were a common sight in villages and at country fairs. Officers would persuade men to enlist with misleading tales of the glamour of army life, and the offer of a A bountyA. This was a large sum of money, supposedly paid to the new recruit when he enlisted. In fact most of it disappeared in various A deductionsA and the recruit was lucky to see any of it.); eNational Army Museum; English, out of copyright
Media ID 22567966
© National Army Museum / Bridgeman Images
Civilian Finance Recruit Recruiting Recruitment
16"x20" (51x41cm) Metal Print
Bring history to life with Media Storehouse's Metal Prints featuring "A Recruiting Party, 1797" by Isaac Cruikshank after George Cruikshank. This intricately detailed etching, originally housed at the National Army Museum in London, captures the essence of a recruiting party during the late 18th century. The Metal Print's vibrant colors and high-quality finish bring out the rich textures and nuances of this iconic work of art. Add a touch of history and character to your space with this stunning piece from the Media Storehouse collection.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this etching titled "A Recruiting Party, 1797" artist Isaac Cruikshank takes us back to a time when recruiting parties were a common sight in villages and country fairs. The scene depicts a group of country bumpkins, their faces filled with envy and amazement, as they witness the recruiting officer holding up a purse. This officer is skilled in the art of persuasion, using misleading tales of army life's glamour and the promise of a generous bounty to entice men into enlisting. Published by Allen and West in London on February 18th, 1797, this colored etching beautifully captures the social dynamics surrounding recruitment during that era. While the offer of money was enticing for many young men seeking financial stability or adventure, it often turned out to be an illusion. Most recruits never saw much of their promised bounty due to various deductions. Through his caricature-like style, Cruikshank sheds light on the manipulation tactics employed by recruiters at that time. This artwork serves as both a historical record and commentary on society's vulnerability when faced with promises of wealth and glory. Now housed at the National Army Museum in London, this print offers viewers an opportunity to reflect on how recruitment practices have evolved over time while reminding us that appearances can be deceiving – even within works of art themselves.
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