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Metal Print : The Archduchess Maria Louisa going to take her NAP, 1810 (hand-coloured etching)
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The Archduchess Maria Louisa going to take her NAP, 1810 (hand-coloured etching)
XOS1766216 The Archduchess Maria Louisa going to take her NAP, 1810 (hand-coloured etching) by Rowlandson, Thomas (1756-1827); Private Collection; (add.info.: Archduchess Marie Louise (1791-1847) Napoleons 2nd wife who married him in 1810 and gave birth to his only child in 1811, lies in a short bed with Napoleon saying, My dear Nap: your bed accommodations are very indifferent! Too short by a yard! I wonder how Josephino put up with such things even as long as she did!!! He replies Indeed Maria I do not well understand you? The Empress Josephino who knew things better than I hope you do, never grumbled - Le Diable! I see I never will be able to get what I want after all!!!
From Thomas Teggs Caricature Magazine); English, out of copyright
Media ID 12701309
© www.bridgemanimages.com
Canopied Canopy Crowns Josephine Marie Louise Napoleon Parma Dutchess Empress Napoleon 1 Tegg
16"x20" (51x41cm) Metal Print
Experience the elegance and charm of the past with our Media Storehouse Metal Prints featuring "The Archduchess Maria Louisa Going to Take Her Nap," an exquisite hand-coloured etching by Thomas Rowlandson from Bridgeman Images. This captivating artwork, originally created in 1810, showcases the grace and beauty of the Archduchess Maria Louisa as she prepares for a peaceful slumber. Our premium Metal Prints bring out the intricate details and vibrant colours of this timeless piece, making it an exceptional addition to any home or office decor. Order yours today and bring history into your living space.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Archduchess Maria Louisa going to take her NAP, 1810
EDITORS COMMENTS
is a hand-coloured etching by Thomas Rowlandson that captures a humorous moment between Napoleon Bonaparte and his second wife, Marie Louise. In this satirical cartoon, the Archduchess lies in a short bed while Napoleon comments on its inadequate size. The dialogue between them reveals their contrasting perspectives on comfort and luxury. Marie Louise expresses her dissatisfaction with the bed accommodations, comparing them unfavorably to those of Empress Josephine, Napoleon's first wife. She wonders how Josephine tolerated such conditions for so long. In response, Napoleon appears confused by Marie Louise's complaint and implies that she should not be concerned about such matters. The image offers a glimpse into the dynamics of their relationship as well as the stark differences between Marie Louise and Josephine. It also highlights Napoleon's characteristically ambitious nature as he laments his inability to attain what he desires. Rowlandson's caricature skillfully combines satire and humor to comment on social status, power dynamics, and personal preferences within royal circles. This print serves as both entertainment and social commentary from the early 19th century. This particular print from Fine Art Finder showcases Rowlandson's artistic talent in capturing facial expressions and conveying subtle nuances through visual storytelling.
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