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The Sleeping Congregation, 1736 (engraving)

The Sleeping Congregation, 1736 (engraving)


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The Sleeping Congregation, 1736 (engraving)

XJF397632 The Sleeping Congregation, 1736 (engraving) by Hogarth, William (1697-1764); Private Collection; (add.info.: preacher is John Theophilus Desaguiliers (1683-1744); ); English, out of copyright

Media ID 12874115

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Asleep Chaplain Clerk Country Church Hour Glass Preaching Pulpit Sermon Vicar


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The Sleeping Congregation

EDITORS COMMENTS
is a captivating engraving by William Hogarth, depicting a scene of utter disinterest and apathy within a country church. The satirical artwork, created in 1736, humorously captures the moment when the entire congregation appears to have succumbed to slumber during an incredibly dull sermon. In this comical portrayal, Hogarth highlights the lack of engagement and enthusiasm among both male and female attendees. The pulpit stands empty as the preacher himself, John Theophilus Desaguiliers, is seen dozing off alongside his flock. A clerk can be spotted snoozing at his desk while an hourglass symbolically runs out of time. Through this clever satire, Hogarth critiques not only the sleepy atmosphere but also questions the effectiveness of religious sermons in capturing people's attention. With meticulous detail and sharp wit characteristic of Georgian art, he exposes human nature's tendency to become indifferent even in sacred spaces. This print serves as a reminder that despite its serious subject matter - preaching and worship - it is essential to find ways to engage congregations actively. It encourages us to reflect on our own levels of attentiveness during moments that demand focus and participation. "The Sleeping Congregation" remains an enduring piece from Hogarth's body of work due to its timeless commentary on human behavior within religious settings. Its intricate details invite viewers into a world where even spiritual matters struggle against indifference – reminding us all that staying awake requires more than just physical presence.

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