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Metal Print : Abducting horse, plate 10 of Proverbs, 1819-23, pub. 1864 (etching)
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Abducting horse, plate 10 of Proverbs, 1819-23, pub. 1864 (etching)
IND82110 Abducting horse, plate 10 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 25.3x35.9 cm; Private Collection; (add.info.: illustrating the tale of a man, turned into a horse, who abducts the woman he loves after killing her husband; ); Index Fototeca
Media ID 25896738
© Index Fototeca / Bridgeman Images
Francisco De Goya Francisco Jose De 1746 1828 Francisco José De Goya Y Lucientes Goya Goya Francisco De 1746 1828 Goya Y Lucientes Kidnap Los Disparates Proverbios Rearing Terror
16"x24" (61x41cm) Metal Print
Experience the captivating allure of Francisco Goya's 'Abducting Horse' print from the Proverbs series, published in 1864. This exquisite etching, showcasing plate 10 from the collection, is a timeless masterpiece by the renowned Spanish artist. The image of a horse and rider in dynamic motion, captured in intricate detail, is a testament to Goya's unparalleled artistic vision. Bring this stunning work of art into your home or office with a Media Storehouse Metal Print. Our high-quality, durable metal prints are designed to preserve the rich colors and intricate details of this iconic piece, ensuring a beautiful and long-lasting addition to your decor. Order yours today and immerse yourself in the world of Goya's Proverbs.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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This print titled "Abducting horse, plate 10 of Proverbs" by Francisco Jose de Goya y Lucientes takes us on a journey into the realm of folklore and dark imagination. Created between 1819-23 and published in 1864, this etching showcases Goya's exceptional talent for storytelling through art. In this particular piece, we witness a scene that is both terrifying and intriguing. The image depicts a man who has been transformed into a horse abducting the woman he loves after murdering her husband. The sheer terror on the woman's face is palpable as she clings to the back of the rearing horse, desperately trying to escape her captor. Goya's mastery lies not only in his ability to convey emotion but also in his attention to detail. Every line and stroke adds depth and intensity to this haunting composition. Through his unique style, he brings life to an ancient proverbial tale that explores themes of love, betrayal, and vengeance. As we gaze upon this artwork, we are transported into a world where reality blurs with fantasy. It serves as a reminder that art has the power to evoke strong emotions within us - fear, awe, curiosity - all at once. This print from Goya's series "Proverbs" stands as a testament to his genius as an artist and storyteller whose work continues to captivate audiences centuries later.
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