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Metal Print : Caricature of the first Impressionist Exhibition in Paris, Revolution in Painting

Caricature of the first Impressionist Exhibition in Paris, Revolution in Painting



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Caricature of the first Impressionist Exhibition in Paris, Revolution in Painting

CHT164327 Caricature of the first Impressionist Exhibition in Paris, Revolution in Painting! And a terrorizing beginning, 1874 (engraving) (b/w photo) by Cham (Amedee Charles Henri de Noe) (1818-79); Bibliotheque Nationale, Paris, France; (add.info.: Exposition des impressionnistes, Une revolution en peinture ! Et qui debute en faisant de la terreur ; ); eArchives Charmet; French, out of copyright

Media ID 22930628

© Archives Charmet / Bridgeman Images

Afraid Avant Garde Criticism Disgusted Frightening Horror Modern Modernity Reactionary Revolutionary Scandal Shock Shocked Third Republic Fear Satiric


16"x20" (51x41cm) Metal Print

Experience the vibrant history of Impressionist art with our Media Storehouse Metal Prints featuring Cham's engraving, "Caricature of the first Impressionist Exhibition in Paris, Revolution in Painting" (CHT164327). This captivating caricature from Bridgeman Images and Fine Art Finder, published in 1874, offers a humorous yet insightful perspective on the groundbreaking Impressionist Exhibition in Paris. Our high-quality Metal Prints bring the intricate lines and bold contrasts of this black-and-white image to life, making it a stunning addition to any art enthusiast's collection. Embrace the rich history of Impressionism and add a touch of timeless elegance to your home or office with this unique and captivating piece.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Arts > Impressionist paintings > Impressionist art > Impressionist paintings

> Arts > Impressionist paintings > Impressionist art

> Arts > Impressionist paintings

> Arts > Modern art pieces

> Europe > France > Paintings

> Europe > France > Paris > Related Images


EDITORS COMMENTS
This print captures the essence of the first Impressionist Exhibition in Paris, aptly titled "Revolution in Painting". Created by Cham (Amedee Charles Henri de Noe) in 1874, this engraving showcases a momentous event that shook the art world to its core. The image portrays a scene filled with scandal and avant-garde energy. The viewer is immediately drawn to the expressions on the faces of those depicted - disgust, shock, fear, and even horror are palpable. It is evident that this exhibition challenged traditional artistic norms and provoked strong reactions from both critics and spectators. As one delves deeper into the details of this caricature, it becomes apparent that it represents more than just an art movement; it symbolizes a rebellion against societal expectations. The artists featured were part of a revolutionary wave seeking to break free from established conventions. The cartoon-like nature of Cham's work adds an element of satire to this powerful image. It serves as a critique not only on conservative attitudes towards modernity but also on the reactionary forces within society during France's Third Republic. In capturing this pivotal moment in art history, Cham has immortalized not only the birth of Impressionism but also its tumultuous beginnings. This print invites us to reflect upon how groundbreaking movements can often be met with resistance and fear before ultimately reshaping our understanding of beauty and creativity.

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