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Metal Print : The Crucifixion Detail Chair realized by Nicola Pisano (1215 / 20-1278 / 84) (Marble pulpit
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The Crucifixion Detail Chair realized by Nicola Pisano (1215 / 20-1278 / 84) (Marble pulpit
LRI4584560 The Crucifixion Detail Chair realized by Nicola Pisano (1215/20-1278/84) (Marble pulpit) 1260 Baptistere Saint John of Pisa (Battistero san Giovanni di Pisa), Italy by Pisano, Nicola (c. 1220-84); Baptistery, Pisa, Italy; (add.info.: The Crucifixion Detail Chair realized by Nicola Pisano (1215/20-1278/84) (Marble pulpit) 1260 Baptistere Saint John of Pisa (Battistero san Giovanni di Pisa), Italy); Luisa Ricciarini; Italian, out of copyright
Media ID 22287654
© Luisa Ricciarini / Bridgeman Images
16"x20" (51x41cm) Metal Print
Experience the profound beauty and intricacy of Nicola Pisano's The Crucifixion Detail Chair, a masterpiece of medieval sculpture. Our Media Storehouse Metal Prints bring this exquisite work to life, capturing every detail of the original marble pulpit from the Baptistery of St. John in Pisa, Italy. Each print is meticulously crafted using high-quality metal materials, ensuring a stunning and durable display that adds depth and texture to any space. Embrace the rich history and artistry of this iconic piece with our authentic and vibrant Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the intricate detail and emotional power of Nicola Pisano's "The Crucifixion Detail Chair". Created in 1260, this marble pulpit is located in the Baptistery of Saint John in Pisa, Italy. The chair depicts a poignant scene from the Bible, with Virgin Mary mourning at the foot of the cross. Nicola Pisano, a renowned Italian artist from the 13th century, skillfully carved this masterpiece with great sensitivity and realism. The medium age aesthetic adds to its historical significance and cultural value. Every element of this artwork reflects deep religious devotion and reverence for biblical characters and scenes. In this particular detail captured by photographer Luisa Ricciarini, we witness a young girl overcome by sadness as she gazes upon the crucifixion. Her expression conveys profound sorrow and empathy for Christ's suffering. This evocative portrayal resonates with viewers on both an artistic and spiritual level. The craftsmanship exhibited in every curve and contour of this marble sculpture is truly remarkable. It serves as a testament to Pisano's exceptional talent as well as his ability to capture raw human emotions through stone carving. Overall, this print offers us an opportunity to appreciate not only Nicola Pisano's artistic genius but also the enduring impact that religious art has had throughout history.
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