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Metal Print : The Matabili Insurrection, Defeat of the Rebels between Movene Kraal and Gwelo on 9 May (litho)
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The Matabili Insurrection, Defeat of the Rebels between Movene Kraal and Gwelo on 9 May (litho)
1605523 The Matabili Insurrection, Defeat of the Rebels between Movene Kraal and Gwelo on 9 May (litho) by Woodville, Richard Caton II (1856-1927) (after); Private Collection; (add.info.: The Matabili Insurrection, Defeat of the Rebels between Movene Kraal and Gwelo on 9 May. Illustration for The Illustrated London News, 20 June 1896.
R Caton Woodville); Look and Learn / Illustrated Papers Collection
Media ID 22547482
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Defeat Matabili Insurrection Rebels Second Matabele War Zimbabwe
16"x20" (51x41cm) Metal Print
Bring history to life with our stunning Metal Prints featuring 'The Matabili Insurrection: Defeat of the Rebels between Movene Kraal and Gwelo on 9 May' by Richard Caton Woodville II. This iconic lithograph, originally published in the late 19th century, captures the intense moment of the Matabele Rebellion's defeat. The intricate details and vivid colors are beautifully enhanced on our high-quality metal prints, creating a captivating piece of art that adds depth and dimension to any space. Experience the rich history and artistic detail in a contemporary and modern way.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This lithograph, titled "The Matabili Insurrection, Defeat of the Rebels between Movene Kraal and Gwelo on 9 May" takes us back to a significant moment in history. Created by Richard Caton Woodville II in 1896, this print captures the intensity and drama of the Second Matabele War. In this scene, we witness the decisive defeat of rebel forces led by Chief Mumindwane. The Salisbury Column, under the command of Major Hoste and Major Hurrell, emerges victorious against all odds. The engraving showcases their military prowess as they valiantly charge forward on horseback. Woodville's attention to detail brings this historical event to life. Every stroke of his brush conveys the tension and bravery displayed by both sides during this conflict. The composition draws our eyes towards the central clash between rebels and soldiers amidst an African landscape. "The Matabili Insurrection" serves as a testament to Zimbabwe's rich history and its struggle for independence. It reminds us of the courage exhibited by those who fought for their beliefs during times of turmoil. This lithograph is part of a private collection but was originally published in The Illustrated London News on June 20th, 1896. Its inclusion in Look and Learn / Illustrated Papers Collection ensures that future generations can appreciate its artistic value while gaining insight into an important chapter in Zimbabwean history.
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