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Red-Figure Horn-Shaped Rhyton depicting a crocodile attacking a Nubian, Greek, c
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Red-Figure Horn-Shaped Rhyton depicting a crocodile attacking a Nubian, Greek, c
FIT111277 Red-Figure Horn-Shaped Rhyton depicting a crocodile attacking a Nubian, Greek, c.350 BC (clay) by Sotades (fl. 350 BC) (workshop after); height: 22.2 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Greek, out of copyright
Media ID 23365452
© Fitzwilliam Museum / Bridgeman Images
Attic Nile Palmette Underworld
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EDITORS COMMENTS
This print showcases a remarkable piece of ancient Greek art - the Red-Figure Horn-Shaped Rhyton. Created around 350 BC by the skilled hands of Sotades and his workshop, this clay masterpiece stands at a height of 22.2 cm and is currently housed in the prestigious Fitzwilliam Museum at the University of Cambridge, UK. The rhyton depicts an intense scene where a crocodile viciously attacks a Nubian figure. The intricate details on this artwork transport us back to ancient times, allowing us to witness the raw power and danger that lurked within nature's realm. The black reptile emerges from beneath dark waters, its menacing jaws open wide as it lunges towards its prey. Symbolism plays an important role in this piece as well. The crocodile was often associated with death and the underworld in Greek mythology, while Nubians were considered exotic figures representing foreign lands. This clash between cultures adds another layer of intrigue to this already compelling artwork. The vessel itself is beautifully adorned with palmette motifs and other decorative elements commonly found in Attic pottery during that era. It served not only as a work of art but also as a drinking vessel for ceremonial or celebratory occasions. Thanks to Bridgeman Images' fine photography skills, we can now appreciate every intricate detail captured in this stunning photo print. It serves as a reminder of our rich artistic heritage and invites us to delve into the fascinating world of ancient Greece through visual storytelling.
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