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Metal Print : View of the Cours (from Marseille) during the plague of 1720 (oil on canvas)

View of the Cours (from Marseille) during the plague of 1720 (oil on canvas)



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View of the Cours (from Marseille) during the plague of 1720 (oil on canvas)

JEB4961010 View of the Cours (from Marseille) during the plague of 1720 (oil on canvas) by Serre, Michel (1658-1753); Palais de Longchamp, Marseille, France; French, out of copyright

Media ID 22322678

© Bridgeman Images

Benediction Blessing Brat Contagion Disease Epidemia Epidemic Ethnicity Hitch Hygiene Illness Marseille Outbreak Pandemy Physician Practitioner Provence Riviera Rhone Mouths 13 Sick Sickness Wealthy Coupling Ethnography Exterior View Inhabitant Jeanbernard Noble Nobles Street View


16"x20" (51x41cm) Metal Print

Bring a piece of historical art into your home with the Media Storehouse Metal Print of "View of the Cours (from Marseille) during the Plague of 1720" by Jean Bernard. This stunning oil on canvas painting, originally created by Michel Serre in 1720, now comes to life in vibrant metallic colors. The artwork, currently housed at the Palais de Longchamp in Marseille, France, captures the somber atmosphere of the city during the plague. Each Metal Print is printed using archival inks on high-quality aluminum sheets, ensuring a long-lasting and eye-catching display. Add this unique and captivating piece to your decor and bring a touch of history into your space.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > S > Michel Serre

> Arts > Portraits > Pop art gallery > Street art portraits

> Europe > France > Canton > Rhone

> Europe > France > Marseilles

> Europe > France > Paintings

> Popular Themes > Religious Images


EDITORS COMMENTS
This oil on canvas painting, titled "View of the Cours (from Marseille) during the plague of 1720" by Michel Serre, transports us back to a time of immense suffering and despair. The scene depicts a bustling street in Marseille during the devastating outbreak of the plague that ravaged Europe in the 18th century. The artist skillfully captures the chaos and desperation that engulfed society at this time. In the foreground, we see a crowd of people from all walks of life - aristocrats, clergy members, horsemen, doctors - all united in their struggle against this deadly disease. A cart carrying bodies serves as a grim reminder of the high death toll. Despite their differences in wealth and social status, everyone is affected by this tragedy. The painting highlights both the fragility and resilience of humanity in times of crisis. It also sheds light on issues such as hygiene and healthcare practices prevalent during that era. Serre's attention to detail is remarkable; every figure tells its own story within this larger narrative. The composition draws our gaze towards a group receiving a benediction from priests and monks – perhaps seeking solace or divine intervention amidst such devastation. As we contemplate this artwork today, it serves as a poignant reminder not only of past pandemics but also our collective ability to overcome adversity through unity and compassion.

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