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Metal Print : The Crisis in Constantinople, Armenian Refugees leaving the Supreme Consular Court (litho)
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The Crisis in Constantinople, Armenian Refugees leaving the Supreme Consular Court (litho)
1051105 The Crisis in Constantinople, Armenian Refugees leaving the Supreme Consular Court (litho) by Paget, Henry Marriott (1856-1936) (after); Private Collection; (add.info.: The Crisis in Constantinople, Armenian Refugees leaving the Supreme Consular Court. Illustration for The Graphic, 24 October 1896.); Look and Learn / Illustrated Papers Collection
Media ID 22502572
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Constantinople Crisis Istanbul Leaving Turkish Culture Central Turkey Consulates Turk
16"x20" (51x41cm) Metal Print
Experience the rich history of The Crisis in Constantinople brought to life with our Media Storehouse Metal Prints. This stunning lithograph by Henry Marriott Paget, inspired by an original work from Bridgeman Images, depicts a poignant moment from the Armenian Refugee Crisis. Witness the emotion and detail in every line as the refugees leave the Supreme Consular Court, captured in exquisite detail. Our premium metal prints are not just a print, they are a work of art in themselves, with vibrant colors and unmatched clarity that will make this historic image a conversation starter in any room. Order now and bring a piece of history into your home or office.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Crisis in Constantinople, Armenian Refugees leaving the Supreme Consular Court
EDITORS COMMENTS
. This powerful lithograph captures a pivotal moment in history, depicting the harrowing plight of Armenian refugees during the crisis in Constantinople. Created by Henry Marriott Paget and published in The Graphic on October 24,1896, this print serves as a poignant reminder of the struggles faced by countless individuals. In this scene, we witness a chaotic street filled with desperate men, women, and children fleeing from the Supreme Consular Court. The turmoil is palpable as these displaced Armenians seek safety amidst an uncertain future. Their faces reflect anguish and fear while their worn-out clothing bears witness to their arduous journey. The presence of military personnel hints at the volatile atmosphere that permeated Constantinople during this time. A Mussulman mob looms ominously nearby, adding to the tension and highlighting the dangers faced by these vulnerable refugees. Amidst this chaos, foreign consulates stand as symbols of hope for those seeking refuge. British cavasses can be seen assisting some Armenians towards safety under Great Britain's protection. This engraving not only documents historical events but also sheds light on themes that remain relevant today – displacement, persecution, and resilience in times of crisis. It serves as a stark reminder of our shared responsibility to protect those who are most vulnerable. As we gaze upon this image from over a century ago, let us remember that it represents not just one chapter in history but also echoes countless other stories yet
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