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Jigsaw Puzzle : The Crisis in Constantinople, Armenian Refugees leaving the Supreme Consular Court (litho)

The Crisis in Constantinople, Armenian Refugees leaving the Supreme Consular Court (litho)




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The Crisis in Constantinople, Armenian Refugees leaving the Supreme Consular Court (litho)

1051105 The Crisis in Constantinople, Armenian Refugees leaving the Supreme Consular Court (litho) by Paget, Henry Marriott (1856-1936) (after); Private Collection; (add.info.: The Crisis in Constantinople, Armenian Refugees leaving the Supreme Consular Court. Illustration for The Graphic, 24 October 1896.); Look and Learn / Illustrated Papers Collection

Media ID 22502572

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

Constantinople Crisis Istanbul Leaving Turkish Culture Central Turkey Consulates Turk


Jigsaw Puzzle (520 Pieces)

Experience the historical depth and intricate detail of the Media Storehouse Jigsaw Puzzle featuring "The Crisis in Constantinople, Armenian Refugees leaving the Supreme Consular Court" by Henry Marriott Paget. This captivating puzzle, inspired by a lithograph from Bridgeman Images, transports you back in time to the Supreme Consular Court in Constantinople during a pivotal moment in history. With each piece placed, uncover the story of Armenian refugees seeking safety and protection. Immerse yourself in this rich piece of art and history, creating a beautiful and thought-provoking display in your home.

Made in the USA, 520-piece puzzles measure 16" x 20" (40.6 x 50.8 cm). Every puzzle is meticulously printed on glossy photo paper, which has a strong 1.33 mm thickness. Delivered in a black storage cardboard box, these puzzles are both stylish and practical. (Note: puzzles contain small parts and are not suitable for children under 3 years of age.)

Jigsaw Puzzles are an ideal gift for any occasion

Estimated Product Size is 50.8cm x 40.5cm (20" x 15.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Henry Marriott (after) Paget

> Fine Art Finder > Artists > Joseph Nash

> Fine Art Finder > Temp Classification

> Asia > Armenia > Related Images

> Asia > Turkey > Istanbul

> Asia > Turkey > Related Images

> Europe > Armenia > Posters

> Europe > Armenia > Related Images


The Crisis in Constantinople, Armenian Refugees leaving the Supreme Consular Court

EDITORS COMMENTS
. This powerful lithograph captures a pivotal moment in history, depicting the harrowing plight of Armenian refugees during the crisis in Constantinople. Created by Henry Marriott Paget and published in The Graphic on October 24,1896, this print serves as a poignant reminder of the struggles faced by countless individuals. In this scene, we witness a chaotic street filled with desperate men, women, and children fleeing from the Supreme Consular Court. The turmoil is palpable as these displaced Armenians seek safety amidst an uncertain future. Their faces reflect anguish and fear while their worn-out clothing bears witness to their arduous journey. The presence of military personnel hints at the volatile atmosphere that permeated Constantinople during this time. A Mussulman mob looms ominously nearby, adding to the tension and highlighting the dangers faced by these vulnerable refugees. Amidst this chaos, foreign consulates stand as symbols of hope for those seeking refuge. British cavasses can be seen assisting some Armenians towards safety under Great Britain's protection. This engraving not only documents historical events but also sheds light on themes that remain relevant today – displacement, persecution, and resilience in times of crisis. It serves as a stark reminder of our shared responsibility to protect those who are most vulnerable. As we gaze upon this image from over a century ago, let us remember that it represents not just one chapter in history but also echoes countless other stories yet

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