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Metal Print : Our Lady of Mount Carmel, c. 1830 (water-based paint on wood panel)
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Our Lady of Mount Carmel, c. 1830 (water-based paint on wood panel)
BRN195807 Our Lady of Mount Carmel, c. 1830 (water-based paint on wood panel) by Aragon, Jose Rafael (c.1795-1862); 23.8 x 18.4 cm; The Barnes Foundation, Philadelphia, Pennsylvania, USA; (add.info.: Nuestra SeAnora del Carmen is the title given to the Blessed Virgin Mary as patroness of the Carmelite Order, Christian hermits on Mount Carmel who built a chapel dedicated to the " Lady of the place." Our Lady of Mount Carmel was adopted in the 19th century as the patron saint of Chile.); eBarnes Foundation; American, out of copyright
Media ID 22215372
© Barnes Foundation / Bridgeman Images
Altar Screen Caribbean Censer Folk Art Latin America Naive New Mexico New Spain Primitive Roman Catholic Santero Santo Spanish America Spanish Colonial Traditional Costume
16"x20" (51x41cm) Metal Print
Bring the timeless beauty of fine art into your home with Media Storehouse Metal Prints. This exquisite image of Our Lady of Mount Carmel, painted in water-based paint on a wood panel around 1830 by Jose Rafael Aragon, is now available as a stunning metal print. The intricate details and vibrant colors of this Bridgeman Images artwork from Fine Art Finder are brilliantly preserved in the high-quality metal print, creating a museum-quality piece for your wall. Elevate your decor with this beautiful and inspiring work of art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the exquisite artwork of "Our Lady of Mount Carmel" by Jose Rafael Aragon, created around 1830. Painted with water-based paint on a wood panel, this piece measures 23.8 x 18.4 cm and is housed in The Barnes Foundation in Philadelphia, Pennsylvania. The painting depicts the Blessed Virgin Mary as the patroness of the Carmelite Order, a group of Christian hermits who resided on Mount Carmel and built a chapel dedicated to the "Lady of the place". In the 19th century, Our Lady of Mount Carmel became revered as the patron saint of Chile. With intricate details and vibrant colors, Aragon's work captures both religious devotion and artistic finesse. The image features a crown adorning Mary's head while she cradles baby Jesus in her arms. A censer emits fragrant smoke nearby, adding an ethereal touch to this sacred scene. This painting reflects elements from traditional Catholicism and Spanish colonial art prevalent in Latin America during that era. It exudes an aura of spirituality through its portrayal of Mother Mary wearing traditional attire associated with Spanish America. A testament to faith and cultural heritage, this masterpiece serves as a reminder of Christianity's profound impact on Mexico and other parts of Latin America during the nineteenth century. Its naive yet powerful style makes it an exceptional example within Mexican folk art or santo paintings.
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