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Metal Print : Comforts of a Bed of Roses: pub. Hannah Humphrey, 21st April
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Comforts of a Bed of Roses: pub. Hannah Humphrey, 21st April
2636948 Comforts of a Bed of Roses: pub. Hannah Humphrey, 21st April, 1806 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Charles James Fox (1749-1806) asleep with his wife; Napoleon Bonaparte (1769-1821) brandishing sword; Death emerging from under the bed; ); The Stapleton Collection; English, out of copyright
Media ID 23420716
© The Stapleton Collection / Bridgeman Images
Anti Jacobin Banner Barking Bonnet Rouge Bulldog Charles James Fox Crow Curtain Dagger Dream Dreaming Eagle Ghost Grabbing Hourglass Liberty Cap Little Boney Napoleon Bonaparte Neck Nightmare Opposition Phantom Radical Raven Roots Roses Spears Spirit Teeth Terror Urinating Vision Whig
16"x20" (51x41cm) Metal Print
Bring the timeless beauty of fine art into your home with Media Storehouse Metal Prints. This exquisite piece, "Comforts of a Bed of Roses: pub. Hannah Humphrey, 21st April, 1806 (hand coloured engraving) by Gillray, James," is a captivating hand-colored engraving from Bridgeman Images, published by Hannah Humphrey. The intricate details and vibrant colors are brilliantly preserved in our high-quality metal print, creating a stunning and durable work of art that is sure to impress. Add a touch of elegance and sophistication to any room with this classic masterpiece from Fine Art Finder.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Comforts of a Bed of Roses - A Satirical Masterpiece
EDITORS COMMENTS
. This hand-colored engraving, titled "Comforts of a Bed of Roses" is an extraordinary work by the renowned caricaturist James Gillray. Published on April 21st, 1806, by Hannah Humphrey, this print offers a satirical portrayal of significant political figures and events during that era. At first glance, we see Charles James Fox peacefully asleep alongside his wife in their bedroom. However, upon closer inspection, we notice Napoleon Bonaparte menacingly brandishing a sword while Death emerges from under the bed. This juxtaposition symbolizes the looming threat faced by Fox and his opposition to Napoleon's military ambitions. The intricate details within the image reveal numerous allegorical elements representing political ideologies and historical events. The presence of revolutionary symbols such as the bonnet rouge and liberty cap alludes to radicalism and anti-Jacobin sentiments prevalent at that time. Gillray's mastery lies in his ability to seamlessly blend satire with botanical imagery. The roses surrounding Fox's bed represent comfort but also serve as a metaphor for thorny political challenges he faces. Additionally, various weapons scattered throughout the room highlight both physical threats and ideological battles fought on multiple fronts. Overall, this print serves as an insightful commentary on power struggles during this period in history. Gillray's artistic brilliance shines through every detail captured within this composition – making it an invaluable addition to any collection or exhibition dedicated to political satire or British art from the early 19th century.
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