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Metal Print : Mrs Ferrars, 1896 (engraving)
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Mrs Ferrars, 1896 (engraving)
2962871 Mrs Ferrars, 1896 (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: From Chapter 34 of Sense and Sensibility by Jane Austen (1775-1817) first published 1818. This edition published in 1921 by Macmillan and Co. using Thomsons plates from 1896.
Elinor finally meets Edwards mother: Mrs. Ferrars was a little, thin woman, upright, even to formality, in her figure, and serious, even to sourness, in her aspect. Her complexion was sallow: and her features small, without beauty, and naturally without expression: but a lucky contraction of the brow had rescued her countenance from the disgrace of insipidity, by giving it the strong characters of pride and ill-nature. ); British, out of copyright
Media ID 22695744
© Bridgeman Images
Austen Dashwood Edward Elinor Proud Sour Bad Tempered Regency
16"x24" (61x41cm) Metal Print
Bring timeless elegance into your home with Media Storehouse's Metal Prints featuring Mrs. Ferrars, 1896, an enchanting engraving by Hugh Thomson. Captured from Bridgeman Images through Fine Art Finder, this exquisite piece is inspired by Chapter 34 of Jane Austen's beloved novel, Sense and Sensibility. Our high-quality metal prints are not only visually stunning but also durable and long-lasting, making them the perfect addition to any room in your house. Embrace the charm of this classic image and elevate your decor with a unique and captivating piece of art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This engraving, titled "Mrs Ferrars, 1896" transports us back to the elegant world of Jane Austen's Sense and Sensibility. The print, created by Hugh Thomson in 1896 and now part of a private collection, beautifully captures a pivotal moment in the story. In this scene from Chapter 34, Elinor Dashwood finally comes face-to-face with Edward's formidable mother. Mrs. Ferrars is depicted as a slender woman with an upright posture that borders on formality. Her serious countenance exudes an air of sourness while her sallow complexion adds to her austere appearance. Thomson skillfully portrays Mrs. Ferrars' features as small and devoid of natural beauty or expression. However, it is through his artistry that we witness a fortunate contraction of her brow which rescues her countenance from insipidity and instead reveals strong characters of pride and ill-nature. As viewers delve into this exquisite engraving, they are transported to the Georgian era - a time when society was governed by strict rules and social hierarchies prevailed. The illustration not only showcases Thomson's talent but also serves as a visual representation of Austen's masterful storytelling. With its rich historical context and literary significance, this print invites us to explore the complex dynamics between mothers and their children within English society during the early 19th century. It serves as both an homage to Austen's enduring legacy and an artistic treasure for admirers of fine literature
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