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Metal Print : Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante
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Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante
GIA745673 Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante and Virgil into the last circle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: Dante Alighieri (1265-1321) Italian author and poet. Divina Commedia.); eGiancarlo Costa; French, out of copyright
Media ID 22716938
© Giancarlo Costa / Bridgeman Images
1265 1321 13 13o Xiii Xiiio Secolo Dore Gustave Duecento Enfer Geant Giant Hell Incisione Inferno Letteratura Litterature Medioevale Medioevo Moyen Age Po And Xe9 Poesia Poesie Quattordicesimo Secolo Rature Trecento Tredicesimo Secolo Virgilio 13 13th Xiii Xiiith Century 14 14o Xiv Xivo Secolo 14 14th Xiv Xivth Century
16"x20" (51x41cm) Metal Print
Experience the fiery depths of Dante's Inferno with our stunning Metal Prints featuring Giancarlo Costa's illustration of Canto 31. Witness the moment when Antaeus, the giant of the eighth circle, lowers Dante and Virgil into the last circle of Hell. Each Metal Print is crafted with precision and care, bringing the intricate details of this iconic image to life. The vibrant colors and sharp lines are enhanced by the unique textured surface of the metal, creating a captivating piece of art that is sure to be a conversation starter in any home or office. Order now and bring the epic tale of The Divine Comedy to life in your space.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures a pivotal moment in Dante Alighieri's epic poem, "Inferno". Illustrated by Gustave Dore in 1885, the digitally colored engraving depicts Canto 31 of The Divine Comedy. In this scene, the giant Antaeus, also known as Antee, is seen lowering Dante and his guide Virgil into the last circle of hell. The intricate details and masterful use of color bring to life the intensity and despair that permeate Dante's journey through the underworld. As they descend deeper into darkness, both figures appear small and vulnerable compared to the towering presence of Antaeus. His massive form dominates the composition, emphasizing his role as a gatekeeper between worlds. Dante Alighieri himself stands at the forefront of this dramatic tableau. Clinging onto Virgil for support, he gazes up at Antaeus with a mix of awe and trepidation. This visual representation perfectly encapsulates Dante's emotional state as he confronts unimaginable horrors within each circle. Giancarlo Costa expertly showcases this iconic artwork from his private collection. By sharing it with us today, we are reminded not only of Dore's artistic brilliance but also of Dante's enduring legacy as one of Italy's greatest poets. This print serves as a testament to their creative collaboration and invites viewers to delve deeper into The Divine Comedy’s profound exploration of sin, redemption, and human nature itself.
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