Trecento Collection

Inferno, Canto 2 : Beatrice and Virgil, illustration from The Divine Comedy
GIA745722 Inferno, Canto 2 : Beatrice and Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 31 : The saintly throng form a rose in the empyrean (rose celeste)
GIA745614 Paradiso, Canto 31 : The saintly throng form a rose in the empyrean (rose celeste), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

LORENZETTI, Ambrogio (1285-1348). Effects of Good Government on the City Life. First half 14th c. Detail. Renaissance art. Trecento. Fresco. ITALY. TUSCANY. Siena. Public Palace

Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)
CUL4926440 Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 154x256 cm; Chateau d'Angers

Allegory of the poverty (Fresco, 1334)
LRI4575290 Allegory of the poverty (Fresco, 1334) by Giotto (Giotto di Bondone) (c.1266-1337); San Francesco, Lower Church, Assisi

The Flight into Egypt, c. 1305 (fresco)
BEN102734 The Flight into Egypt, c.1305 (fresco) by Giotto (Giotto di Bondone) (c.1266-1337); Scrovegni (Arena) Chapel, Padua

View of Florence, detail from La Madonna della Misericordia, 1342 (fresco)
AIS5390283 View of Florence, detail from La Madonna della Misericordia, 1342 (fresco) by Daddi, Bernardo (fl.1327-d.1348); Museo del Bigallo, Florence

The Raising of Lazarus, c. 1305 (fresco)
BEN5465538 The Raising of Lazarus, c.1305 (fresco) by Giotto (Giotto di Bondone) (c.1266-1337); Scrovegni (Arena) Chapel, Padua, Italy; Photo eRaffaello Bencini; Italian, out of copyright

LORENZETTI, Pietro (1280-1348). Entry of Christ into Jerusalem. ca. 1320. ITALY. Assisi. Lower Basilica of San Francesco d Assisi (St Francis). Located in the church transept. Renaissance art

BERLINGHIERI, Bonaventura (1215 - ca. 1274). Saint Francis. 1235. Saint Francis surrounded by scenes of his life. Renaissance art. Trecento. Tempera on wood. ITALY. Pescia. Church of St. Francis

Portrait of Pope Urban VI, 1903 (chromolithograph)
FGL5462881 Portrait of Pope Urban VI, 1903 (chromolithograph); (add.info.: Portrait of Pope Urban VI elected in 1378 and died in 1389)

Portrait of Pope Boniface IX , 1903 (chromolithograph)
FGL5462894 Portrait of Pope Boniface IX , 1903 (chromolithograph); (add.info.: Portrait of Pope Boniface IX elected in 1389 and died in 1404)

Portrait of Pope Gregory XI, 1903 (chromolithograph)
FGL5462867 Portrait of Pope Gregory XI, 1903 (chromolithograph); (add.info.: Portrait of Pope Gregory XI elected in 1370 and died in 1378)

Statue of Bishop Orso. Detail of the tomb of Antonio Orso, bishop of Florence between 1301 and 1321
BEN5473571 Statue of Bishop Orso. Detail of the tomb of Antonio Orso, bishop of Florence between 1301 and 1321. Cathedral of Santa Maria del Fiore, Florence

Weaving (low relief)
BEN5471587 Weaving (low relief) by Pisano, Andrea (1270-1349); Museo dell'Opera di Santa Maria del Fiore (Duomo), Florence, Tuscany, Italy; (add.info.: Weaving)

The art of building (low relief)
BEN5471582 The art of building (low relief) by Pisano, Andrea (1270-1349); Museo dell'Opera di Santa Maria del Fiore (Duomo), Florence, Tuscany

The creation of Adam (low relief)
BEN5471560 The creation of Adam (low relief) by Pisano, Andrea (1270-1349); Museo dell'Opera di Santa Maria del Fiore (Duomo), Florence, Tuscany, Italy; (add.info.: The creation of Adam)

Allegory of medicine (low relief)
BEN5471493 Allegory of medicine (low relief) by Pisano, Andrea (1270-1349); Museo dell'Opera di Santa Maria del Fiore (Duomo), Florence, Tuscany, Italy; (add.info.: Allegory of medicine)

Islamic architecture, Moorish art. View of the Myrtes basin in the courtyard of the Myrtes (patio of los Arrayanes)
JEB4962008 Islamic architecture, Moorish art. View of the Myrtes basin in the courtyard of the Myrtes (patio of los Arrayanes), palace Comares, one of the Nasrid palaces of the Alhambra

Islamic architecture, Moorish art. View of the Myrtes basin in the courtyard of the Myrtes (patio of los Arrayanes)
JEB4962149 Islamic architecture, Moorish art. View of the Myrtes basin in the courtyard of the Myrtes (patio of los Arrayanes), Palace Comares, one of the Nasrid palaces of the Alhambra

Feodalite: peasants (serfs) using a plow drawn by oxen to plow a field. Around 1340
NWI4892860 Feodalite: peasants (serfs) using a plow drawn by oxen to plow a field. Around 1340. Colourful engraving after an illustration of the Middle Ages.; (add.info.: Feodalite)

Procession of flagellants in a city in Europe in the 14th century. They are naked to the belt
NWI4892666 Procession of flagellants in a city in Europe in the 14th century. They are naked to the belt and whipping publicly to atone their sins

Virgin and Child, detail: Adoration of the Magi (panel on the right upper panels)
JEB4897734 Virgin and Child, detail: Adoration of the Magi (panel on the right upper panels). The Shepherd's Star is seen above the scene. Painting by Giovanni Del Biondo (ca. 1356-1398), 1345

Italy Tuscany Florence - Loggia del Lanzi (Loggia of the Seigneury), 1376-1382
JEB4947764 Italy Tuscany Florence - Loggia del Lanzi (Loggia of the Seigneury), 1376-1382; (add.info.: Italy Tuscany Florence - Loggia del Lanzi (Loggia of the Seigneury)

Hundred Years' War (1337 to 1453): Edward III of England (1312-1377) leading the English army through the Somme in
NWI4945960 Hundred Years' War (1337 to 1453): Edward III of England (1312-1377) leading the English army through the Somme in France

Conference of the Duke of Gloucester, Thomas of Woodstock (1355-1397) with Irish Chiefs
NWI4945849 Conference of the Duke of Gloucester, Thomas of Woodstock (1355-1397) with Irish Chiefs, during the campaign of Richard II (1367-1400)

Painter painting a fresco in Florence during the Renaissance (Fra Angelico at the Convent of San Marco? )
NWI4871216 Painter painting a fresco in Florence during the Renaissance (Fra Angelico at the Convent of San Marco? ). Colouring engraving of the 19th century.; (add.info)

John I - JOHN I of Portugal, called " of Happy Memory" (1357 - 1433)
CUL4868138 John I - JOHN I of Portugal, called " of Happy Memory" (1357 - 1433). King of Portugal and Algarve (1385-1433)

Myths and legends: King Arthur's round table. Colour engraving after a 14th century miniature
NWI4929795 Myths and legends: King Arthur's round table. Colour engraving after a 14th century miniature.; (add.info.: Myths and legends: King Arthur's round table)

Tryptic of Santa Chiara, 1320 (painting on wood)
VEN5033999 Tryptic of Santa Chiara, 1320 (painting on wood); Museo di Storia e Arte e Orto Lapidario (Art And History Museum And Botanic Garden), Trieste, Italy; (add.info.: Tryptic of St)

Saint George defeating the dragon and the princess. Anonymous 14th century mural. Cathedrale de San Donnino, Fidenza
VEN5033870 Saint George defeating the dragon and the princess. Anonymous 14th century mural. Cathedrale de San Donnino, Fidenza.; (add.info.: Saint George defeating the dragon and the princess)

Cardinal Ugo Seguin de Billon. Fresco by Barisini Tommaso detto Tommaso da Modena (1325-1379)
VEN5027513 Cardinal Ugo Seguin de Billon. Fresco by Barisini Tommaso detto Tommaso da Modena (1325-1379) part of the cycle " Fourteen illustrious members of the Dominican Order""

Production of medals and coins in the Hotel de la Monnaie (Paris mint) and view on the right of the sovereign court of
ELD4890313 Production of medals and coins in the Hotel de la Monnaie (Paris mint) and view on the right of the sovereign court of Chambre des Monnaie, in the Palais de la Cite, Paris, 1360

Three hundred tailors were employed to make me clothes. From Gulliver's voyage to Lilliput
2963116 Three hundred tailors were employed to make me clothes. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875; Private Collection; Photo © Hilary

Statues of Blanche de France and Jean de France, children of Saint Louis, Louvre Museum, Paris
ETI4396675 Statues of Blanche de France and Jean de France, children of Saint Louis, Louvre Museum, Paris.; (add.info.: Statues of Blanche de France and Jean de France, children of Saint Louis)

The first job (low relief)
BEN5473535 The first job (low relief) by Pisano, Andrea (1270-1349); Museo dell'Opera di Santa Maria del Fiore (Duomo), Florence, Tuscany, Italy; (add.info.: The first job)

Amedee VII de Savoie, dit le comte Rouge - Count Amadeus VII of Savoy (1360-1391)
UIG5328871 Amedee VII de Savoie, dit le comte Rouge - Count Amadeus VII of Savoy (1360-1391) - Anonymous - 18th century - Oil on canvas; 202x117 cm; Reggia di Venaria Reale

Noah's drunkenness (low relief)
BEN5471501 Noah's drunkenness (low relief) by Pisano, Andrea (1270-1349); Museo dell'Opera di Santa Maria del Fiore (Duomo), Florence, Tuscany, Italy; (add.info.: Noah's drunkenness)

100 Years War: Archers and Knights at the Battle of Crecy, France in 1346. Colour engraving of the 19th century
NWI4835262 100 Years War: Archers and Knights at the Battle of Crecy, France in 1346. Colour engraving of the 19th century.; (add.info.: 100 Years War: Archers and Knights at the Battle of Crecy)

Richard II of England (1367-1400) - Richard II, King of England. Lithograph of a painting in Westminster Abbey
NWI4945147 Richard II of England (1367-1400) - Richard II, King of England. Lithograph of a painting in Westminster Abbey; (add.info.: Richard II of England (1367-1400) - Richard II, King of England

Italy Tuscany - Monastery of Santa Maria de Monte Oliveto Maggiore which houses the frescoes of the life of Saint
JEB4948685 Italy Tuscany - Monastery of Santa Maria de Monte Oliveto Maggiore which houses the frescoes of the life of Saint Benedict - church bedside (baroque)

Geographic map of England and France during the Angevins dynasty, 12th-15th century. Lithograph of the 19th century
NWI4874543 Geographic map of England and France during the Angevins dynasty, 12th-15th century. Lithograph of the 19th century.; (add.info)

ESTIMARIU, Master of (14th century). The legend of St. Lucy. 1357 - 1385. (161 x 97 cm). AGATHA, Saint (-250)
CUL4869072 ESTIMARIU, Master of (14th century). The legend of St. Lucy. 1357 - 1385. (161 x 97 cm). AGATHA, Saint (-250). Martyr.; Lucia of Syracuse, Saint (283 - 304)

Denis I, called "The Farmer" (1261 - 1325). King of Portugal and Algarve (1261-1325)
CUL4868067 Denis I, called "The Farmer" (1261 - 1325). King of Portugal and Algarve (1261-1325). Detail in portraits of the kings of Portugal. Genealogia de los Reyes de Espana. 1463

Alfonso IV, known as the Brave - AFONSO (Alfonso) IV of Portugal, called " the Brave" (1291 - 1357)
CUL4868092 Alfonso IV, known as the Brave - AFONSO (Alfonso) IV of Portugal, called " the Brave" (1291 - 1357). King of Portugal and Algarve (1325-1357)

Facade of the Basilica of San Petronio (late 14th century) on Piazza Grande in Bologna. 2005
VEN5028454 Facade of the Basilica of San Petronio (late 14th century) on Piazza Grande in Bologna. 2005; (add.info.: Facade of the Basilica of San Petronio (late 14th century)

Altarpiece of the Crucifixion, detail of the tomb (Nicomede, Joseph of Arimatie and the tomb)
JEB4961696 Altarpiece of the Crucifixion, detail of the tomb (Nicomede, Joseph of Arimatie and the tomb). Sculptor: Jacques de Baerze. 1393-1399

Representation of the martyrdom of Saint Catherine of Siena (Catherine of Siena) in 1380. 19th century, (engraving)
ELD4910095 Representation of the martyrdom of Saint Catherine of Siena (Catherine of Siena) in 1380. 19th century, (engraving).; Private Collection; Photo © The Holbarn Archive.

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The Trecento, also known as the 14th century in Italian art, was a period of immense creativity and innovation. It marked a transition from the Gothic style to the Renaissance, with artists experimenting with new techniques and themes. In Paradiso, Canto 31, Dante describes a celestial rose formed by saintly souls in heaven. This symbolizes their unity and harmony in the empyrean realm. The Allegory of Poverty, painted in 1334, reflects the social concerns of the time. It portrays poverty as an essential virtue that leads to spiritual enlightenment. Frescoes such as The Flight into Egypt and The Raising of Lazarus showcase religious narratives with vibrant colors and intricate details. These artworks were meant to inspire devotion and convey biblical stories to illiterate viewers. Ambrogio Lorenzetti's Effects of Good demonstrates his interest in depicting moral virtues through allegorical figures. Pietro Lorenzetti's Entry of Christ captures a sense of grandeur and majesty during Christ's triumphant arrival in Jerusalem. The Apocalypse Tapestry or Apocalypse of Angers is an extraordinary example of medieval tapestry artistry. Created between 1375-1380, it depicts scenes from the Book of Revelation with vivid imagery and meticulous craftsmanship. A view of Florence can be seen in La Madonna della Misericordia fresco from 1342 by an unknown artist. It provides us with a glimpse into how this bustling city looked during that era. Bonaventura Berlinghieri's Pieta showcases his skillful use of color and composition to depict Mary mourning over Jesus' body after his crucifixion. This emotional scene evokes empathy from viewers. The Adoration of the Magi fresco found at Chapel Scrovegni in Padua illustrates one episode from Jesus' life: when wise men pay homage to him after his birth. Its rich colors create a visually stunning portrayal filled with symbolism.