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Metal Print : The emperor (Tsar) of Russia Alexander III went to the Holy Offices on January 1, 1893

The emperor (Tsar) of Russia Alexander III went to the Holy Offices on January 1, 1893



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The emperor (Tsar) of Russia Alexander III went to the Holy Offices on January 1, 1893

XEE4413267 The emperor (Tsar) of Russia Alexander III went to the Holy Offices on January 1, 1893, accompanied by two Cossacks. From Charles Morels aquerelle by Morel, Charles (1861-1908); Private Collection; (add.info.: The emperor (Tsar) of Russia Alexander III going to the Holy Offices on January 1, 1893 accompanied by two Cossacks, After the aquerelle of Charles Morel); Stefano Bianchetti; French, out of copyright

Media ID 23725056

© Stefano Bianchetti / Bridgeman Images

Alexander Iii 3 1845 1894 Cossack Romanov Bianchettf


16"x20" (51x41cm) Metal Print

Experience the grandeur of imperial Russia with our exquisite Metal Print of 'The Emperor (Tsar) of Russia Alexander III went to the Holy Offices on January 1, 1893' by Stefano Bianchetti. This stunning artwork, sourced from Fine Art Finder, captures a historic moment as Tsar Alexander III, accompanied by two Cossacks, makes his way to the Holy Offices. Our Metal Prints are known for their vibrant colors, rich textures, and long-lasting durability, making this artwork a beautiful addition to any home or office. Elevate your space with a piece of history that is sure to inspire awe and admiration.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
This print captures a significant moment in history - the emperor (Tsar) of Russia, Alexander III, embarking on a solemn journey to the Holy Offices on January 1,1893. Accompanied by two imposing Cossacks, the Tsar exudes power and authority as he approaches the sacred destination. The image is an aquerelle rendition of Charles Morel's original artwork, skillfully brought to life by Stefano Bianchetti. The fine details and delicate strokes add depth and texture to this historical masterpiece. As we gaze upon this photograph, we are transported back in time to witness a pivotal event during the reign of Alexander III. The Russian Orthodox Church held immense influence over society at that time, making this visit even more significant. It symbolizes not only the Tsar's devotion but also his commitment to upholding traditional values and religious customs. The presence of two loyal Cossacks further emphasizes the importance of security surrounding such occasions. These fierce warriors were known for their unwavering loyalty and protection towards their leaders. This remarkable piece serves as a reminder of Russia's rich cultural heritage and its close ties with religion during this era. It encapsulates both grandeur and spirituality within one frame, leaving us captivated by its timeless beauty.

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