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Letter from Thomas Carlyle to Macvey Napier, editor of the Edinburgh Review, 6th February 1832. Artist: Thomas Carlyle
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Letter from Thomas Carlyle to Macvey Napier, editor of the Edinburgh Review, 6th February 1832. Artist: Thomas Carlyle
Letter from Thomas Carlyle to Macvey Napier, editor of the Edinburgh Review, 6th February 1832. Letter written from 4 Ampton Street, London, by the writer Thomas Carlyle to Macvey Napier, editor of the Edinburgh Review, offering an article on Ebenezer Elliots Corn Law Rhymes, with allusions to his failure to find a publisher for his Sartor Resartus. From the first series of Facsimiles of royal, historical, literary and other autographs in the Department of Manuscripts, British Museum: Series I - V, (London, 1899)
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Media ID 14910376
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Carlyle Correspondence Ebenezer Elliott Facsimile Letter Napier Publishing Signature Thomas Carlyle Poetry Print Collector3
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EDITORS COMMENTS
This print captures a significant moment in literary history, showcasing the letter from renowned writer Thomas Carlyle to Macvey Napier, editor of the Edinburgh Review. Dated 6th February 1832, this handwritten correspondence provides a fascinating insight into Carlyle's struggles as an author during the 19th century. The image showcases not only the beauty of Carlyle's distinctive handwriting but also his determination to find a publisher for his groundbreaking work, Sartor Resartus. In this letter, he offers an article on Ebenezer Elliott's Corn Law Rhymes to Napier, perhaps hoping that it would open doors for his own publication. The vibrant colors and meticulous detail of this facsimile bring to life the artistic and intellectual world of the time. It is a testament to both Carlyle's literary prowess and his resilience in navigating the publishing industry. As we delve into this historical artifact, we are reminded of the challenges faced by writers throughout centuries past. This print serves as a reminder that even great minds like Carlyle experienced setbacks and rejections on their path towards success. With its rich symbolism and profound significance within literary circles, this print is not just an exquisite piece of art but also a window into an era where words held immense power and creativity flourished against all odds.
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