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Metal Print : The angel appears to Zacharias (bronze tile from baptismal font, c. 1427)
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The angel appears to Zacharias (bronze tile from baptismal font, c. 1427)
LRI4604890 The angel appears to Zacharias (bronze tile from baptismal font, c.1427) by Quercia, Jacopo della (c.1372-1438); Baptistery of San Giovanni, Siena, Tuscany, Italy; (add.info.: The angel appears to Zacharias, bronze tile from baptismal font) Bronze tile with baptismal fonts by Jacopo della Quercia (1371/74-1438) around 1427 Baptistere of Siena, Italy); Luisa Ricciarini; Italian, out of copyright
Media ID 23322376
© Luisa Ricciarini / Bridgeman Images
Ageing Eyesight Offspring Oldness Prediction Old Man Quattrocento
20"x24" (61x51cm) Metal Print
Bring the timeless beauty of medieval art into your home with Media Storehouse's Metal Prints. This exquisite piece features "The angel appears to Zacharias" by Jacopo della Quercia, a bronze tile from the baptistery of San Giovanni in Siena, Italy, dating back to approximately 1427. Meticulously captured from the original artwork by Luisa Ricciarini from Fine Art Finder, this metal print showcases intricate details and vibrant colors, making it a stunning addition to any decor. Experience the rich history and artistic craftsmanship of the past with Media Storehouse's premium Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 60.9cm (20" x 24")
Estimated Product Size is 51.4cm x 61.5cm (20.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures a bronze tile from the baptismal font in the Baptistery of San Giovanni, Siena. Created by Jacopo della Quercia in 1427, it depicts the powerful moment when an angel appears to Zacharias. The intricate carving and attention to detail showcase Quercia's mastery as an artist during the quattrocento period. In this scene, we witness an old man named Zacharias receiving a divine message from the celestial being before him. The aged features on his face reflect wisdom and experience, while his eyesight strains to comprehend this extraordinary encounter. The angel's presence brings forth a sense of awe and wonder, as if time stands still within this sacred space. The significance of this biblical event lies in its prediction of future events - specifically the birth of John the Baptist. It is through Zacharias' encounter with the angel that he learns about his wife Elizabeth's miraculous pregnancy despite their old age. As we gaze upon this remarkable artwork, we are reminded not only of its religious importance but also its historical value. This piece serves as a testament to Italian artistry during the 15th century and showcases how faith intertwines with artistic expression. Luisa Ricciarini beautifully captures every nuance and texture in her photograph, allowing us to appreciate both Quercia's craftsmanship and her own skill behind the lens.
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