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Metal Print : Adam and Eve hunt out of Heaven. (fresco, 1428)
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Adam and Eve hunt out of Heaven. (fresco, 1428)
BEN5477030 Adam and Eve hunt out of Heaven. (fresco, 1428) by Masaccio, Tommaso (1401-28); Chiesa di Santa Maria del Carmine, Florence, Italy; (add.info.: Adam and Eve hunt out of Heaven. The shame of Adam hiding his face and the desarking of Eve coming out through the gate of Paradise. Painting by Tommaso di Giovanni Cassai dit Masaccio (1401-1428). 1428. Fresco); Photo eRaffaello Bencini; Italian, out of copyright
Media ID 22589824
© Raffaello Bencini / Bridgeman Images
Adam Chatiment Disgrace Expulsion Fondsraffael Misfortune Modesty Naked Woman Paradise Quattrocento
16"x24" (61x41cm) Metal Print
Bring the timeless beauty of art into your home with Media Storehouse's Metal Prints. This exquisite piece features "Adam and Eve hunt out of Heaven" (BEN5477030) by Masaccio, a masterpiece from the Church of Santa Maria del Carmine in Florence, Italy. Dated back to 1428, this fresco depicts the biblical story of Adam and Eve's expulsion from Heaven. Our high-quality Metal Prints are not only vibrant and eye-catching but also durable and waterproof, making them perfect for any room in your house. Experience the rich history and intricate details of this iconic work of art in a modern and stylish way. Order now and let the story of Adam and Eve inspire you every day.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
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> Tommaso Masaccio
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> Tuscany
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> Aberdeenshire
> Huntly
> Historic
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> Italian Renaissance art
EDITORS COMMENTS
This print captures the iconic fresco painting "Adam and Eve hunt out of Heaven" by the renowned artist Masaccio. Created in 1428, this masterpiece is located in the Chiesa di Santa Maria del Carmine in Florence, Italy. The image depicts Adam and Eve's expulsion from paradise with great emotional intensity. Adam hides his face in shame while Eve emerges through the gate of Paradise, showcasing her vulnerability and desolation. The artist skillfully portrays their deep sorrow and disgrace as they are banished from their idyllic existence. Masaccio's attention to detail is evident in every brushstroke, emphasizing the biblical narrative of original sin. The angelic figures surrounding Adam and Eve add a spiritual dimension to the composition, symbolizing divine judgment. This artwork explores themes such as modesty, nudity, religion, and human misfortune prevalent during the Renaissance period. It reflects both artistic mastery and profound storytelling that resonates even today. Bridgeman Images presents this stunning print capturing every nuance of Masaccio's fresco. Its timeless beauty allows viewers to appreciate not only its historical significance but also its enduring impact on art history.
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