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Metal Print : Cover of "The Sans-Panties", number 2, Satirical in Colors
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Cover of "The Sans-Panties", number 2, Satirical in Colors
ICA4868401 Cover of " The Sans-Panties", number 2, Satirical in Colors, 1878_10_7: Jupiter Tonnonnant - Anticlericalism, Republican - Failure of the Church - Gambetta Leon, Jesuites, Jupiter - Illustration by Alfred Le Petitty (1841-1909) by Le Petit, Alfred (1841-1909); (add.info.: Cover of " The Sans-Panties", number 2, Satirical in Colors, 1878_10_7: Jupiter Tonnonnant - Anticlericalism, Republican - Failure of the Church - Gambetta Leon, Jesuites, Jupiter - Illustration by Alfred Le Petitty (1841-1909)); Photo eCaricadoc; French, out of copyright
Media ID 22827268
© Caricadoc / Bridgeman Images
7 Deadly Sins Anger Angry Eagle Furor Gambetta Jupiter Zeus Le Petit Alfred 1841 1909 Leon 1838 1882 Lightning Rage Religious Metaphore Seven Deadly Sins Strangely A Journal Caricadoc Journalism Newspapers
16"x20" (51x41cm) Metal Print
Bring a burst of color and satire into your home or office with the Media Storehouse Metal Print featuring the cover of "The Sans-Panties," number 2, Satirical in Colors by Bridgeman Images from Fine Art Finder (ICA4868401). This iconic image, depicting Jupiter Tonnant - Anticlericalism, Republican - Failure of the Church - Gambetta Leon, Jesuites, is a captivating piece of art history. Our high-quality Metal Prints are known for their vibrant colors, rich textures, and long-lasting durability. Each print is meticulously printed on a lightweight aluminum sheet, giving it a sleek, modern look that is sure to impress. Add this thought-provoking piece to your collection and start a conversation with every visit to your space.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The print titled "Cover of 'The Sans-Panties', number 2, Satirical in Colors" captures a powerful and thought-provoking image from the late 19th century. Created by Alfred Le Petitty, this illustration showcases a blend of political satire and mythological symbolism. In the center of the composition stands Jupiter Tonnonnant, representing both Zeus from Greek mythology and an embodiment of power. With lightning bolts in hand, he exudes anger and fury towards religious orders such as Jesuites. This portrayal reflects the growing anticlerical sentiment during that time period. Surrounding Jupiter are various elements that convey deeper meanings. The presence of Gambetta Leon suggests the failure of the Church's influence on Republican ideals in France. Additionally, Jesus is depicted alongside mythological characters, highlighting a juxtaposition between religion and secularism. Le Petit's artistic style adds to the impact of this piece with intricate engravings and attention to detail. Through his work, he effectively communicates complex emotions like rage and furor associated with societal changes occurring at that time. This print serves as a historical artifact capturing not only political sentiments but also reflecting broader European cultural shifts during the late 19th century. It offers viewers an opportunity to delve into themes surrounding religion, politics, journalism, and social change within Europe's evolving landscape.
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