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Metal Print : Calvin insulted by the Libertines on the Rhone Bridge, illustration from
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Calvin insulted by the Libertines on the Rhone Bridge, illustration from
621426 Calvin insulted by the Libertines on the Rhone Bridge, illustration from The History of Protestantism by James Aitken Wylie (1808-1890), pub. 1878 (engraving) by English School, (19th century); Private Collection; (add.info.: John Calvin (1509-64), French theologian and pastor during the Protestant Reformation.); The Stapleton Collection; English, out of copyright
Media ID 22409450
© The Stapleton Collection / Bridgeman Images
Abuse Calvinism Calvinist Geneva Insult Insulting Libertine Protestant Reformation Protestantism Protestants Abusing
16"x24" (61x41cm) Metal Print
Bring a piece of historical artistry into your home with Media Storehouse's Metal Prints. Featuring the iconic illustration of Calvin being insulted by the Libertines on the Rhone Bridge, this print is taken from James Aitken Wylie's "The History of Protestantism." Each Metal Print is meticulously crafted with vibrant colors and sharp details, ensuring a stunning visual representation of this intriguing moment in history. The sleek, modern metal surface not only adds an elegant touch but also provides superior protection against fading and damage. Experience the beauty and depth of this Bridgeman Images masterpiece like never before with Media Storehouse's Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The captivating print titled "Calvin insulted by the Libertines on the Rhone Bridge" takes us back to a significant moment in history. This illustration, extracted from James Aitken Wylie's renowned book "The History of Protestantism" transports us to 16th century Geneva during the Protestant Reformation. In this vivid depiction, we witness John Calvin, an influential French theologian and pastor, being subjected to abuse and insults by the Libertines on the iconic Rhone Bridge. The scene captures not only the intensity of religious tensions but also highlights Calvin's resilience amidst adversity. The image showcases a male-dominated street scene bustling with activity as Calvinism clashes with opposing ideologies. The Libertines' provocative behavior serves as a symbol of resistance against Calvinist teachings and their stronghold in Geneva at that time. This engraving offers a glimpse into an era marked by profound religious transformations and ideological conflicts. It invites contemplation about how individuals like John Calvin navigated through challenging circumstances while striving for spiritual reform. As we delve into this historical artwork, it becomes evident that it represents more than just an isolated incident; it encapsulates broader themes such as protestantism, insulting rhetoric, and societal divisions prevalent during the 16th century. Through its intricate details and powerful imagery, this print allows us to reflect upon our own understanding of faith, tolerance, and perseverance in times of opposition.
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