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Metal Print : Caricatures of Gauguin and Governor Gallet, with headpiece from Le sourire, 1900 (w/c, pencil and pen)
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Caricatures of Gauguin and Governor Gallet, with headpiece from Le sourire, 1900 (w/c, pencil and pen)
5860165 Caricatures of Gauguin and Governor Gallet, with headpiece from Le sourire, 1900 (w/c, pencil and pen) by Gauguin, Paul (1848-1903); The Art Institute of Chicago, IL, USA; (add.info.: Only 9 issues of the periodical Le sourire were produced by Gauguin in Tahiti to attack French official colonial establishment; championing cause of French settlers;)
Media ID 32013446
© Bridgeman Images
3 People 3 Persons 3 Three People Aborogines Cultural Dom Tom French Polynesia Indigenous Population Indigineous Mauri Native People Paul Gauguin Polynesia Polynesians Polynesisch Post Impressionism Postimpressionism Tahiti Three Persons Watercolors Watercolour Paint Art Style Natives Post Impressionist Several People Several Persons
16"x20" (51x41cm) Metal Print
Bring a touch of timeless artistry to your home or office with Media Storehouse Metal Prints. Featuring this captivating caricature of Paul Gauguin and Governor Gallet, with headpiece from Le sourire, 1900, this exquisite piece showcases the masterful brushwork and wit of the renowned Post-Impressionist artist. With its unique metallic finish, the print adds an elegant and modern twist to the classic artwork, making it a stunning addition to any decor. Experience the beauty and history of this iconic image, expertly reproduced with the highest quality and vibrancy, exclusively from Media Storehouse.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the caricatures of renowned artist Gauguin and Governor Gallet, accompanied by a headpiece from the periodical Le sourire. Created in 1900 using watercolor, pencil, and pen by Gauguin himself, this artwork is currently housed at The Art Institute of Chicago in Illinois, USA. Le sourire was a publication that Gauguin produced during his time in Tahiti with the intention of criticizing the French colonial establishment. Only nine issues were ever published, making this piece an incredibly rare find. Through these satirical drawings and cartoons, Gauguin aimed to champion the cause of French settlers while simultaneously attacking the official colonial regime. The image itself depicts three individuals: two men and one woman. The vibrant colors used by Gauguin bring life to their features as they are surrounded by horses – perhaps symbolizing power or freedom – further emphasizing his scathing satire towards colonialism. Gauguin's unique artistic style shines through in this work as he captures not only the physical appearances but also conveys deeper cultural meanings. By including native Mauri people alongside French settlers, he highlights both indigenous populations' struggles under colonization. Overall, this print serves as a powerful reminder of Gauguin's talent for combining artistry with social commentary. It offers viewers an opportunity to delve into historical narratives surrounding France's presence in Tahiti during the late 19th century while appreciating the artist's skillful execution and thought-provoking message.
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