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Metal Print : Plate 244. Sitting Crossing Legs, Filling Goblet from Pitcher
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Plate 244. Sitting Crossing Legs, Filling Goblet from Pitcher
3950215 Plate 244. Sitting Crossing Legs, Filling Goblet from Pitcher, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.9x33 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume IV, Women (Nude)); eAddison Gallery of American Art; gift of the Edwin J. Beinecke Trust; English, out of copyright
Media ID 22986688
© Addison Gallery of American Art gift of the Edwin J. Beinecke Trust / Bridgeman Images
Animal Locomotion Cross Legged Early Motion Picture Sequence Frames Liquid Motion Pour Pouring Sequence Sequential Stop Motion B W Photo Black And White Photograph
16"x24" (61x41cm) Metal Print
Experience the timeless beauty of art with our Media Storehouse Metal Prints featuring Plate 244, Sitting Crossing Legs, Filling Goblet from Pitcher by Eadweard Muybridge. This iconic collotype on paper image, originally created in 1872-85, captures a moment of quiet intimacy as a woman gracefully pours from a pitcher into a goblet. Our high-quality metal prints offer vibrant colors, stunning detail, and a sleek, modern look that brings this Fine Art Finder masterpiece to life in your home or office space. Add a touch of artistry and elegance to any room with this exquisite piece from the Addison Gallery of American Art's collection.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This photograph, titled "Plate 244. Sitting Crossing Legs, Filling Goblet from Pitcher" captures a moment frozen in time by the renowned photographer Eadweard Muybridge. Taken between 1872-1885 as part of his groundbreaking series "Animal Locomotion" this collotype print showcases Muybridge's pioneering work in early motion picture sequences. In this particular frame, we see a woman seated at a table, her legs elegantly crossed as she fills her goblet from a pitcher. The composition exudes grace and poise, with the subject's nudity adding an element of vulnerability and rawness to the scene. Muybridge's scientific approach to photography is evident in every detail of this image. The stop-motion technique used here allows us to study movement and capture it frame by frame. It is through these meticulous studies that Muybridge revolutionized our understanding of human locomotion. The contrast between light and shadow adds depth to the photograph, emphasizing the contours of the woman's body as she pours liquid into her glass. This intimate moment invites viewers to contemplate themes such as femininity, sensuality, and domesticity. Displayed at the Addison Gallery of American Art in Andover, Massachusetts, this print serves as a testament to Muybridge's lasting impact on both art and science. As we gaze upon this remarkable piece captured over a century ago, we are reminded of how far photography has come while appreciating its timeless ability to
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