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Metal Print : Pope Innocent II taken prisoner by King Roger II of Sicily (1095-1154) who supported Anaclet II during the schism (Pope Innocent II prisoner of Roger II of Sicily who supports Antipope Anacletus II)

Pope Innocent II taken prisoner by King Roger II of Sicily (1095-1154) who supported Anaclet II during the schism (Pope Innocent II prisoner of Roger II of Sicily who supports Antipope Anacletus II)



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Pope Innocent II taken prisoner by King Roger II of Sicily (1095-1154) who supported Anaclet II during the schism (Pope Innocent II prisoner of Roger II of Sicily who supports Antipope Anacletus II)

ELD4946246 Pope Innocent II taken prisoner by King Roger II of Sicily (1095-1154) who supported Anaclet II during the schism (Pope Innocent II prisoner of Roger II of Sicily who supports Antipope Anacletus II) Engraving from " The priests and the monks through the ages" by Hippolite Magen, 1857 Private collection; (add.info.: Pope Innocent II taken prisoner by King Roger II of Sicily (1095-1154) who supported Anaclet II during the schism (Pope Innocent II prisoner of Roger II of Sicily who supports Antipope Anacletus II) Engraving from " The priests and the monks through the ages" by Hippolite Magen, 1857 Private collection); Photo © The Holbarn Archive

Media ID 38429616

© © The Holbarn Archive / Bridgeman Images

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16"x20" (51x41cm) Metal Print

Uncover the rich history behind this striking metal print, featuring 'Pope Innocent II Taken Prisoner' - a powerful depiction from Bridgeman Images and Fine Art Finder. This iconic image showcases Pope Innocent II's capture by King Roger II of Sicily in 1095, highlighting his support for Antipope Anacletus II during the schism. A stunning piece that adds depth and character to any room.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Fine Art Finder > Artists > Butler and Bayne (workshop) Heaton

> Europe > Italy > Sicily > Related Images

> Historic > Battles > Related Images


EDITORS COMMENTS
This engraving captures a pivotal moment in history as Pope Innocent II is taken prisoner by King Roger II of Sicily, who supported Antipope Anacletus II during the schism. The tension and drama of this historical event are palpable in the intricate details of the artwork. The expressions on the faces of both Pope Innocent II and King Roger II convey a sense of urgency and conflict, highlighting the power struggle between church and state during this tumultuous period. The composition expertly conveys the gravity of the situation, with Pope Innocent II appearing resigned yet dignified in his captivity. The artist, Hippolite Magen, skillfully captures the emotions and dynamics at play in this scene, making it come alive for viewers centuries later. The engraving serves as a reminder of the complex political and religious alliances that shaped medieval Europe. As we gaze upon this historical artifact, we are transported back to a time when power struggles were not just confined to battlefields but also played out within religious institutions. It is a testament to how art can preserve moments from the past and allow us to reflect on their significance in our present day.

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